Beckenhorst Press

Howard Helvey's impeccable attention to voice leading and exquisite sense of style are on full display in this a cappella anthem for Advent, setting Thomas Campbell text to an Early American ballad...

Howard Helvey's impeccable attention to voice leading and exquisite sense of style are on full display in this a cappella anthem for Advent, setting Thomas Campbell text to an Early American ballad...

Beckenhorst welcomes Kyle Pederson to its catalog with this plaintive and dreamy setting of NOEL NOUVELET for SATB chorus, piano, and optional oboe. COMPANION PRODUCTSSing We Now of Christmas -...

Beckenhorst welcomes Kyle Pederson to its catalog with this plaintive and dreamy setting of NOEL NOUVELET for SATB chorus, piano, and optional oboe. COMPANION PRODUCTSSing We Now of Christmas -...

Klayton Hoefler provides a wondrous and elegant new melody in an eloquent musical setting of the traditional carol text. Modal harmonies and sensitive piano writing provide a calm reflection that...

Klayton Hoefler provides a wondrous and elegant new melody in an eloquent musical setting of the traditional carol text. Modal harmonies and sensitive piano writing provide a calm reflection that...

You haven't heard Joy to the World like this before! Dan Forrest reaches into his Irish traditional music experience to pair the well-known carol with a newly composed Irish slide, and the result is...

You haven't heard Joy to the World like this before! Dan Forrest reaches into his Irish traditional music experience to pair the well-known carol with a newly composed Irish slide, and the result is...

Winner of the 2007 John Ness Beck Foundation award featuring an oboe obbligato.  SATB - oboe or C instrument part included in the octavo - Full score and parts for orchestra (BP1784A) available...

A lovely combination of two favorite meditational hymns, Draw Me Nearer and Near to the Heart of God. Rich harmonies with a gently moving accompaniment combine to propel this setting for SATB choir...

A lyric SATB anthem concerning the unity of the Body of Christ. Oboe or flute part included in the octavo 

Lloyd Larson has added his own lyrics and melody to the sacred poetry of Horatius Bonar and Gustav Holst’s THAXTED tune, resulting in an anthem of regal beauty. A congregational part allows...

Lloyd Larson has added his own lyrics and melody to the sacred poetry of Horatius Bonar and Gustav Holst’s THAXTED tune, resulting in an anthem of regal beauty. A congregational part allows...

Mary McDonald has taken the beloved words of Ruth 1:16-17 and given us a simple but beautiful setting. The addition of a cello obbligato (part included in choral score) enhances its beauty even more...

Mary McDonald has taken the beloved words of Ruth 1:16-17 and given us a simple but beautiful setting. The addition of a cello obbligato (part included in choral score) enhances its beauty even more...

Molly Ijames' colonial-style setting of this Palm Sunday hymn makes it stand out among the crowd. The addition of two flutes and drum, easily-learned vocal parts and a rhythmic piano accompaniment...

Molly Ijames' colonial-style setting of this Palm Sunday hymn makes it stand out among the crowd. The addition of two flutes and drum, easily-learned vocal parts and a rhythmic piano accompaniment...

The third movement of Craig Courtney’s trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so...

This regal, stately second movement of Craig Courtney’s trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as...

The first movement of Craig Courtney’s trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isiah 55 is expressed as a celebration rather than...

The third movement of Craig Courtney’s trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so...

This regal, stately second movement of Craig Courtney’s trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as...

The first movement of Craig Courtney’s trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isiah 55 is expressed as a celebration rather than...

Dan Forrest’s setting of Psalm 118, written for a tour of the Holy Land, captures the fresh wonder of a new day – in the land where the psalmist wrote these words, or wherever we are on...

Dan Forrest’s setting of Psalm 118, written for a tour of the Holy Land, captures the fresh wonder of a new day – in the land where the psalmist wrote these words, or wherever we are on...