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Written for 3 to 7 octave handbell choir. Level 3.Flowing eighth note arpeggios in 12/8 time underscore this rich setting of the tune ES IST EIN ROS. Delicate countermelodies weave in and out, and several sections on handchimes add a rich, sonorous tone...

This award-winning piece by Sallie Lloyd is given new life and enhanced sound in this 5-7 octave revision of the original 4-octave composition!  Driving eighth notes and rich harmonies abound throughout the piece, which has a very classical feel...

Written for 3 to 7 octave handbell choir. Level 3+.This original tune was written for the 21st International Handbell Symposium in Hamamatsu, Japan. Lush, flowing lines and haunting melodies make this piece a stunning addition to the handbell repertoire.

Written for 3 to 7 octave handbell choir. Level 3+.This original tune was written for the 21st International Handbell Symposium in Hamamatsu, Japan. Lush, flowing lines and haunting melodies make this piece a stunning addition to the handbell repertoire.

Music by Charles H. Gabriel.  Arranged for 3 to 7 octave handbell choir, optional 3 to 5 otaves of handchimes and optional flute.  Level 3+.  Flute part is included.  Brian Childer’s evocative arrangement of this beloved...

Arranged for 3 to 7 octave handbell choir.  Level 3.  Arranges the hymn tunes ADESTE FIDELES (Wade) and FOR UNTO US A CHILD IS BORN (Handel).  Karen Buckwalter expertly weaves together the tune ADESTE FIDELES with the “For Unto...

Arranged for 3 to 7 octave handbell choir and optional 3 to 7 octaves of handchimes.  Level 3.  Sondra Winter’s arrangement of this beloved tune is sure to become a favorite of your ringers and congregation. Delicate scoring and...

Arranged for 4 to 7 octave handbell choir.  Level 3.  An exposed opening is punctuated by upper bells mimicking the chiming of a clock tower in James Weber's expressive arrangement of this Christmas mainstay. Flowing accompaniments and lush,...

3-7 octaves  level 3  Jason Krug provides us with the dramatic and lyrical Compassion, for three to seven octaves of handbells with optional B-flat 1 bell, and optional two octaves of handchimes.  A flowing eighth note accompaniment...

3-7 octaves, level 3.  Matthew Compton's setting of the Jason Tonioli arrangement.

Written for 5 to 7 octave handbell choir and 3 octaves of handchimes.  Level 3.  This stunning original from Matthew Compton is replete with emotion and descriptive storytelling. From a delicate, ethereal opening, the piece moves into a...

For 3 to 7 octave handbell choir and optional 3 octaves of handchimes.  Rated level 3.  A mournful minor verse of the Lowell Mason tune gives rise to a hopeful modal version employing unexpected harmonies and propelling eighth notes. Tension...

Brass quintet (2 trumpets, horn, trombone, tuba) and timpani parts Companion products (printed copies): Praise to the Lord, the Almighty - full score

For 4 to 7 octave handbell choir and optional 4 to 7 octaves of handchimes.  Level 3-.  Sandra Winter’s original title features a gentle, lyric melody paired with flowing, arpeggiated accompaniment lines. Creative use of the handchimes...

Written for 3-7 octave handbell choir.  Level 3.  Despite calling for no bell changes, Sandra Winter’s original composition is a worthy challenge for the intermediate choir. Featuring a repeating bass line and melodic material, the piece...

Written for 5 to 7 octave handbell choir and 5 to 6 octaves of handchimes.  Level 3+.  Lush harmonies underscore this beautiful, prayerful melody by Matthew Compton.  The triplet accompaniment figure gives way to a more delicately scored...

Written for 3-7 octave handbell choir and optional 3-6 octaves of handchimes.  Level 3+.  An original composition with quotes from several carols in the piece.

Written for 4 to 7 octave handbell choir. Level 3+. From the pen of the talented Sandra Eithun comes this engaging setting of the hymntune MELITA. A haunting, slightly dissonant opening gives way to a verse of the tune underpinned by a slightly unsettled...

Arranged for 3 to 7 octave handbell choir, optional 3 octaves of handchimes and optional 3 octaves of Auxillary Bells.  Level 3+.  Matthew Compton's setting of the tune EBENEZER provides many variations on the theme in contrasting styles...

Arranged for 3 to 7 octave handbell choir and 3 to 6 octaves of handchimes.  Level 3.  Great Things He Hath Done – Brian Childers’s arrangement of “To God Be the Glory” begins with a grand, fanfare-like figure...

Written for 3-7 octave handbell choir and optional 3-7 octaves of handchimes.  Level 3. This original composition portrays the forty days Jesus spent in the desert and the three temptations he faced at the hands of Satan. Haunting melodies with...

Written for 3 to 6 octave handbell choir and optional 3 to 6 octaves of handchimes.  Level 3.  

Arranged for 4 to 7 octave handbell choir and optional 4 to 7 octaves of handchimes.  Level 3.  This transcription of the well-known tune by Jules Massenet is perfect for the advanced ensemble looking to showcase their musicality. ...

Written for 3 to 7 octave handbell choir. Level 3.Flowing eighth note arpeggios in 12/8 time underscore this rich setting of the tune ES IST EIN ROS. Delicate countermelodies weave in and out, and several sections on handchimes add a rich, sonorous tone...

Written for  3- 7 octave handbell choir and optional 3 - 7 octaves of handchimes.  Level 3+.  This rollicking original tune from Mitchell Eithun is sure to become a favorite of your ringers. A delicate, ethereal opening belies the driving...