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For 4 to 7 octave handbell choir and optional 4 to 7 octaves of handchimes.  Level 3-.  Sandra Winter’s original title features a gentle, lyric melody paired with flowing, arpeggiated accompaniment lines. Creative use of the handchimes...

Written for 3 to 7 octave handbell choir. Level 5.This masterful original composition is a true tour de force for advanced ensembles. An ethereal opening gives way to energetic, driving themes that refuse to relent! A smoother middle section gives a...

Written for 3 to 7 octave handbell choir. Level 5.This masterful original composition is a true tour de force for advanced ensembles. An ethereal opening gives way to energetic, driving themes that refuse to relent! A smoother middle section gives a...

Written for 4 to 7 octave handbell choir and optional 4 to 7 octaves of handchimes.  Level 4+.  This joyous original tune from the pen of Jason Krug is based loosely on the opening chapters of the book of Genesis, from the creation of the...

 4-7 octaves, optional 3 octaves of handchimes, level 4.  An arrangement of the Edward Elgar Variation IX from the Enigma Variations.

Arranged for 4 to 7 octave handbell choir with optional A1 and B1.  Level 4.  William Griffin’s masterful transcription of the Bourrée from Bach’s Partita #1 in B Minor for Violin is a challenge not for the faint of...

Written for 3-7 octave handbell choir.  Level 3.  Despite calling for no bell changes, Sandra Winter’s original composition is a worthy challenge for the intermediate choir. Featuring a repeating bass line and melodic material, the piece...

Written for 5 to 7 octave handbell choir and 5 to 6 octaves of handchimes.  Level 3+.  Lush harmonies underscore this beautiful, prayerful melody by Matthew Compton.  The triplet accompaniment figure gives way to a more delicately scored...

Written for 3-7 octave handbell choir and optional 3-6 octaves of handchimes.  Level 3+.  An original composition with quotes from several carols in the piece.

Written for 5 to 7 octave handbell choir. Level 4.Fred Gramann's arrangement of Coventry Carol intertwines seamlessly with the haunting melody "Greensleeves," creating a poignant and evocative musical experience. With meticulous attention to detail, the...

Written for 5 to 8 octave handbell choir. Level 5+. Sandra Eithun has masterfully woven together the tune “Creator of the Stars of Night” with “Do You Hear What I Hear?” in this new addition to The Legacy Series. Changing meters and driving rhythms...

Written for 4 to 7 octave handbell choir. Level 3+. From the pen of the talented Sandra Eithun comes this engaging setting of the hymntune MELITA. A haunting, slightly dissonant opening gives way to a verse of the tune underpinned by a slightly unsettled...

 Written for 4-7 octaves.  Level 6.

Parts for 2 trumpets, 2 trombones and tuba (to be used in place of organ) Companion products (printed copies): Fantasia - full score Fantasia - handbell part

5-7 octaves, optional 5 octaves of handchimes, level 4+ Companion products (printed copies): Fantasia - full score

5-7 octaves, organ (or brass quintet), optional 5 octaves of handchimes, level 4+ Companion products printed copies): Fantasia - brass parts Fantasia - handbell part

Arranged for 3 to 7 octave handbell choir, optional 3 octaves of handchimes and optional 3 octaves of Auxillary Bells.  Level 3+.  Matthew Compton's setting of the tune EBENEZER provides many variations on the theme in contrasting styles...

Arranged for 3 to 7 octave handbell choir, optional 3 to 5 octaves of handchimes and optional 3 octaves of Auxiliary Bells.  Level 4.  Brian Childers’ masterful combination of two tunes associated with the text “Come, Thou...

Written for 5 to 8 octave handbell choir. Level 5.Sandra Eithun's setting of TEMPUS ADEST FLORIDUM is a festive masterwork that brings a high level of excitement and joy to any performance. While the handbell part is challenging and more than sufficient...

Sandra Eithun's setting of TEMPUS ADEST FLORIDUM is a festive masterwork that brings a high level of excitement and joy to any performance. While the handbell part is challenging and more than sufficient in its own right, the addition of the optional...

Auxiliary parts for horn, trumpets and trombones Companion products (printed copies): Grand March Redux - full score Grand March Redux - handbell part

Parts for a bell tree Companion products (printed copies): Grand March Redux - full score Grand March Redux - handbell part

1-3 horn parts Companion products (printed copies): Grand March Redux - full score Grand March Redux - handbell part

Part for timpani Companion products (printed copies): Grand March Redux - full score Grand March Redux - handbell part

Parts for 1-3 trombones Companion products (printed copies): Grand March Redux - full score Grand March Redux - handbell part