Beckenhorst Press

3-6 octaves, optional 3-6 octaves of handchimes, level 4.  Suitable for Christmas and general services.

Written for 3 to 7 octave handbell choir. Level 4.Arnold Sherman's faithful transcription of a Schubert piano piece is a fun choice for the advanced choir looking for something upbeat. Careful...

Written for 3 to 7 octave handbell choir. Level 4.Arnold Sherman's faithful transcription of a Schubert piano piece is a fun choice for the advanced choir looking for something upbeat. Careful...

Written for 5 to 8 octave handbell choir. Level 4.

Written for 5 to 8 octave handbell choir. Level 4.

Written for 3 to 6 octave handbell choir. Level 4.Opening with an ethereal staccato section, this fantasy on the hymntune PROSPECT sets an evocative scene. The tune is explored through a variety of...

Written for 5 to 8 octave handbell choir. Level 4.   COMPANION PRODUCTS Lux Aeterna - full score and string parts

Written for 5 to 8 octave handbell choir. Level 4.   COMPANION PRODUCTS Lux Aeterna - handbell part

Written for 3 to 6 octave handbell choir. Level 4. This exciting original tune from the pen of Jason Krug is not to be missed! Featuring alternating measures of 4/4 and 3/4, the joyful, memorable...

A bold melody in octaves (with at optional LV to mimic the sound of a carillon) gives way to a series of variations of the theme which grow in complexity and intensity through to the big, bold finish...

This arrangement, dedicated to a handbell choir director for more than thirty years of leadership, is an idyllic choice for use in worship.  Combining the Bach chorale “Sheep May Safely...

Written for 4 to 7 octave handbell choir and optional 4 to 7 octaves of handchimes.  Level 4+.  This joyous original tune from the pen of Jason Krug is based loosely on the opening...

Arranged for 3 to 7 octave handbell choir, optional 3 to 5 octaves of handchimes and optional 3 octaves of Auxiliary Bells.  Level 4.  Brian Childers’ masterful combination of...

Written for 4 to 6 octave handbell choir with optional E2 and F2 and optional 3 octaves of handchimes.  Level 4-.  This Baroque-style masterwork from the pen of Michael Helman is a...

Written for 5 to 7 octave handbell choir and optional 4 to 6 octaves of handchimes.  Level 4+. Rhythmic, fresh, and joyous describe this original work by Patrick Meyer. Crisp, driving...

Written for 5-7 octave handbell choir and 5 octaves of handchimes.  Level 4.

For 4 to7 octave handbell choir and 4 to 7 octaves of handchimes with optional windchimes.  Level 4+.  Flowing and dreamlike, Karen Lakey Buckwalter's original tune will stretch your...

For 3 to 7 octave handbell choir, optional 3 to 7 octaves of handchimes and optional rainstick.  This masterfully written original piece by Brenda Austin will provide challenges both technical...

Written for 4 to 7 octave handbell choir and optional 4 to 7 octaves of handchimes.  level 4.  This original work based upon the opening of Psalm 130 (“Out of the depths I cry to you,...

Written for 3-7 octave handbell choir, optional C-Flat 2 and 3-7 octaves of handchimes.  Level 4.  This original composition from Jason Krug will challenge the musicality of your ensemble...

Handbell choir II, 5- 7 octaves, level 4+, 5-6 1/2 octaves of handchimes  Companion products (printed copies):: Waltz from Masquerade Suite - full score Waltz from Masquerade Suite - handbell...

Handbell choir I, 5- 7 octaves, level 4+, 5-6 1/2 octaves of handchimes Companion products (printed copies): Waltz from Masquerade Suite-  full score Waltz from Masquerade Suite - alternate...

Written by Aram Khachaturian and transcibed for double handbell choirs (HB369A and HB369B - both 5-7 octaves) and 5-6 1/2 octaves of handchimes by William Griffin.  William Griffin has...

Arranged for 3-6 octaves, optional 2 octaves of handchimes or C instrument. This glorious medley of two familiar tunes (SLANE and DONA NOBIS PACEM) is sprinkled liberally with haunting harmonies and...

This fun number is a worthy challenge for the advanced handbell choir. Playful rhythms and unexpected harmonies will keep audiences engaged, while frequent key changes, bell changes, and technique...