Digital

Beckenhorst's first-ever publication of "I Heard the Bells on Christmas Day" is this reimagining of the carol by Marianne Forman. Slight adjustments lend a timely feel while preserving a richly artistic setting that paints the text effectively as it...

Christin Kieckhafer and Marianne Forman have collaborated to create a haunting new melody for the Polish carol text Infant Holy, Infant Lowly. Hints of the original carol tune appear in the accompaniment. Hear this text in a whole new light as the choir,...

A tour de force setting in Latin and English based on Psalm 148, Christopher Enloe's stunning concert work will show off your choir's full potential. Rhythmic and metric excitement, a driving piano part, surprising twists and turns, and optional clapping...

Enchant your audience with "Lullaby," a captivating new choral piece by Robert S. Cohen based on the beloved poem by Louisa May Alcott. This serene composition beautifully captures the gentle, soothing essence of Alcott's words, weaving a delicate melody...

Christopher Enloe offers an exquisite prayer for comfort and protection. "May He Hold Us" is deeply moving as an anthem, a choral benediction, a sacred encore/closer, or for services of remembrance or memorial. COMPANION PRODUCTSBP2412CDDL – May He Hold...

After years of waiting, Dan Forrest has finally given us his magical take on O Holy Night, one of our greatest Christmas carols! This glorious arrangement vividly brings the picturesque scenes of the text to life in new ways while still preserving the...

With its rhythmic flair and catchy, syncopated melody, this song is bound to be a favorite! With both an SA and Piano (ICC4005) and an a cappella SATB (ICC5000) version, choirs of different types can enjoy this new song by Ken Berg.

Old Dan Tucker arranged by Jeff Combe is a lively SATB setting of the classic folk tune, full of playful stories about its main character. Spanning a wide musical range - from a slow, solemn verse to upbeat body percussion and vocal imitation of banjos -...

Mark Sirett’s "Prayer of St. Francis" is a lyrical and heartfelt setting of the beloved prayer, available in SA (ICC4029), SAB (ICC5007), and SATB (ICC5008) voicings. Its expressive melodies and rich harmonies make it a beautiful choice for choirs...

Marianne Forman sets this metaphorical text for choir, piano, and optional oboe: "...My soul is carried to the shore on breath divine, and on its helm there rests a hand other than mine: One who was known in storms to sail...above the roaring of the gale...

"You brush the vault of heaven and paint the stars of night, each with a separate splendor, the canvas filled with light." In Sanctus (A Separate Splendor), Craig Courtney sets Pamela Stewart's radiant words about the glory of the heavens being the same...

Silent Stars by Robert S. Cohen, with text by Ronald W. Cadmus, is the contemplative and luminous final song in the Celestial Trilogy (ICC3012/ICC3013) for SSAA (ICC4043) or SATB (ICC5018) voices. This slow, hypnotic piece paints a vivid picture of the...

Experience Still, Still, Still like never before in Patrick Pauloski’s masterful arrangement, available for SSA (ICC4048), TBarB (ICC5013), and SATB (ICC5014) voicings with piano accompaniment. Sung in English, this version features unique harmonies and...

Robert S. Cohen’s original setting of Edward Lear’s poem "The Daddy Long-Legs and the Fly" brings out the satirical humor and deeper themes of the text. Scored for SSA (ICC4032) or SATB (ICC5009) voices and piano, the song uses playful musical elements...

An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text, The Embrace, which explores God's never-ending presence in all things: "Called or uncalled, God, you are present, within the air, the breath I take; the arms...

Part of the Beckenhorst Congregational Anthem Series, Molly Ijames' setting of The First Noel works equally well as an Easy SATB anthem or as a congregational anthem. Choral parts are easily learned but elegant and satisfying, and piano (or optional...

Mark Fish’s fresh arrangement of "The Star-Spangled Banner" is available in both SA (ICC1060) and SATB (ICC2018) voicings, with options for piano accompaniment or a cappella performance. This versatile and powerful setting is perfect for any patriotic...

The Whole World, arranged by Ken Berg, is a joyful, swing-infused setting of He’s Got the Whole World, with a brief and thoughtful nod to This Is My Father’s World. Available in SATB (ICC2028) or SSA (ICC1083), this arrangement brings fresh rhythmic...

Adapted from Psalm 104, John Ness Beck's piece for SATB choir features metric complexities that add great variety and interest to your worship service. Appropriate for any general use. 

Pamela Stewart's text speaks vulnerably of the dry and barren seasons of life, praying for God to see, hear, and restore; Craig Courtney's musical setting vividly evokes the lyrics with piano and optional string quartet. COMPANION PRODUCTSBP2398RTDL –...

A lyrical SATB setting with gentle piano accompaniment. Suitable for services of commitment or commissioning. Also available for SSAA choir (BP1925). Also available in other voicings: To Live His Song - SSA

What Child Is This/Coventry Carol arranged by Christopher Alexander is an SATB a cappella setting combining two traditional Christmas songs. This thoughtful arrangement weaves together the familiar melodies with rich harmonies, offering choirs a...

This classic John Ness Beck SATB setting celebrates the glory of the Christmas season.   Arranged for choir, congregation, organ and optional trumpet trio. Three part trumpet accompaniment: Print | Digital Download Included in: Small Choir...

"Wind" by Robert S. Cohen is a dynamic piece for SSAA (ICC1057) or SATB (ICC2019) voices and piano. Cohen's original poem paints a picture of the wind’s varied nature—swift, warm, cold, and unseen—while the piano accompaniment mirrors the wind’s movement...

Craig Courtney brilliantly sets the two sections of Pamela Stewart's poem to different tunes, then pulls them together to be sung simultaneously, picturing the text "...No distance left between us, we are no longer two; O what can separate us? I lose...