Handbell

Arranged for 4 to 7 octave handbell choir with optional A1 and B1.  Level 4.  William Griffin’s masterful transcription of the Bourrée from Bach’s Partita #1 in B Minor for Violin is a challenge not for the faint of...

Written for 3-7 octave handbell choir.  Level 3.  Despite calling for no bell changes, Sandra Winter’s original composition is a worthy challenge for the intermediate choir. Featuring a repeating bass line and melodic material, the piece...

Written for 5 to 7 octave handbell choir and 5 to 6 octaves of handchimes.  Level 3+.  Lush harmonies underscore this beautiful, prayerful melody by Matthew Compton.  The triplet accompaniment figure gives way to a more delicately scored...

Written for 3-7 octave handbell choir and optional 3-6 octaves of handchimes.  Level 3+.  An original composition with quotes from several carols in the piece.

Written for 5 to 7 octave handbell choir. Level 4.Fred Gramann's arrangement of Coventry Carol intertwines seamlessly with the haunting melody "Greensleeves," creating a poignant and evocative musical experience. With meticulous attention to detail, the...

Written for 5 to 8 octave handbell choir. Level 5+. Sandra Eithun has masterfully woven together the tune “Creator of the Stars of Night” with “Do You Hear What I Hear?” in this new addition to The Legacy Series. Changing meters and driving rhythms...

Written for 4 to 7 octave handbell choir. Level 3+. From the pen of the talented Sandra Eithun comes this engaging setting of the hymntune MELITA. A haunting, slightly dissonant opening gives way to a verse of the tune underpinned by a slightly unsettled...

 Written for 4-7 octaves.  Level 6.

5-7 octaves, organ (or brass quintet), optional 5 octaves of handchimes, level 4+ Companion products printed copies): Fantasia - brass parts Fantasia - handbell part

Arranged for 3 to 7 octave handbell choir, optional 3 octaves of handchimes and optional 3 octaves of Auxillary Bells.  Level 3+.  Matthew Compton's setting of the tune EBENEZER provides many variations on the theme in contrasting styles...

Arranged for 3 to 7 octave handbell choir, optional 3 to 5 octaves of handchimes and optional 3 octaves of Auxiliary Bells.  Level 4.  Brian Childers’ masterful combination of two tunes associated with the text “Come, Thou...

Written for 5 to 8 octave handbell choir. Level 5.Sandra Eithun's setting of TEMPUS ADEST FLORIDUM is a festive masterwork that brings a high level of excitement and joy to any performance. While the handbell part is challenging and more than sufficient...

Sandra Eithun's setting of TEMPUS ADEST FLORIDUM is a festive masterwork that brings a high level of excitement and joy to any performance. While the handbell part is challenging and more than sufficient in its own right, the addition of the optional...

Arranged for 3 to 7 octave handbell choir and 3 to 6 octaves of handchimes.  Level 3.  Great Things He Hath Done – Brian Childers’s arrangement of “To God Be the Glory” begins with a grand, fanfare-like figure...

Written for 4 to 8 octave handbell choir. Level 5.Sandra Eithun's arrangement of "Hark! The Herald Angels Sing" creates an atmosphere of excitement and triumph as the timeless carol is presented in a vibrant new light. The optional additions of Mark...

Written for 3-7 octave handbell choir and optional 3-7 octaves of handchimes.  Level 3. This original composition portrays the forty days Jesus spent in the desert and the three temptations he faced at the hands of Satan. Haunting melodies with...

Written for 3 to 7 octave handbell choir. Level 4.This masterwork, written for the Back Bay Ringers, is an exciting setting of the beloved Christmas carol, suitable for advanced ensembles. An opening tower-bell-like change ring gives way to a varied...

4-7 octaves - level 4+  -   -  This advanced original composition starts off with grand, slow chords, but don’t let that simplicity fool you — what begins peacefully becomes an explosion of energy and motion, making...

Written for 3 to 6 octave handbell choir and optional 3 to 6 octaves of handchimes.  Level 3.  

Arranged for 4 to 7 octave handbell choir and optional 4 to 7 octaves of handchimes.  Level 3.  This transcription of the well-known tune by Jules Massenet is perfect for the advanced ensemble looking to showcase their musicality. ...

Written for 3 to 7 octave handbell choir. Level 3.Flowing eighth note arpeggios in 12/8 time underscore this rich setting of the tune ES IST EIN ROS. Delicate countermelodies weave in and out, and several sections on handchimes add a rich, sonorous tone...

Written for 3 to 7 octave handbell choir. Level 4.Arnold Sherman's faithful transcription of a Schubert piano piece is a fun choice for the advanced choir looking for something upbeat. Careful attention to techniques and dynamics is a must, but the...

Written for 3 to 7 octave handbell choir. Level 4.Arnold Sherman's faithful transcription of a Schubert piano piece is a fun choice for the advanced choir looking for something upbeat. Careful attention to techniques and dynamics is a must, but the...

Written for  3- 7 octave handbell choir and optional 3 - 7 octaves of handchimes.  Level 3+.  This rollicking original tune from Mitchell Eithun is sure to become a favorite of your ringers. A delicate, ethereal opening belies the driving...

For 3-7 octaves, optional 3-6 octaves of handchimes, level 3-. This haunting original composition will provide ringers with ample opportunity to focus on their musicality. From moments of quiet tranquility to soaring heights of passion, this song runs...