Handbell

Patricia Hurlbutt’s lush arrangement of this Latvian folk tune is a beautiful choice for the ensemble looking for something a little different.  The simple melody is paired with flowing accompaniments and rich harmonies, yielding a perfect...

Written for 3-7 octave handbell choir.  Level 3.  Despite calling for no bell changes, Sandra Winter’s original composition is a worthy challenge for the intermediate choir. Featuring a repeating bass line and melodic material, the piece...

 Written for 3-6 octave handbell choir and optional 3 octaves of handchimes.  Level 5.

3-5 octaves - level 4-, optional 3 octaves of handchimes  -  What starts as a haunting and ethereal statement of the well-known tune KINGSFOLD becomes an explosion of joy before returning to a meditative state. The beginning and ending sections...

Written for 5 to 7 octave handbell choir and 5 to 6 octaves of handchimes.  Level 3+.  Lush harmonies underscore this beautiful, prayerful melody by Matthew Compton.  The triplet accompaniment figure gives way to a more delicately scored...

3-5 octaves, level 3  Suitable for Christmas services

3-5 octaves handbells or 3-5 octaves of handchimes, level 2-

Written for 3 to 5 octave handbell choir.  Level 3-.  Sandra Winter’s jubilant original piece is as much a delight to ring as it is to hear.  A bold, joyous opening gives way to a memorable melody filled with both rising and...

 Written for 4 octave handbell choir.  Level 2+

 Arranged for 3-5 octave handbell choir and optional handchimes.  Level 2+. Uses TRYGGARE KAN INGEN VARA and BEAUTIFUL SAVIOR.  Flowing accompaniment and delicate scoring add an element of charm to this arrangement of “Children of...

 Arranged for 3-5 octave handbell choir.  Level 3.  Also uses the Hallelujah Chorus by Handel.

3-6 octaves, level 4

Written for 3-7 octave handbell choir and optional 3-6 octaves of handchimes.  Level 3+.  An original composition with quotes from several carols in the piece.

 4-6 octaves, level 5

 Written for 3 octave handbell choir.  Level 3.

 Arranged for 3-5 octave handbell choir and optional 3 octaves of handchimes.  Level 3.  MIDDLEBURY

Written for 3 to 6 octave handbell choir. Level 3+.Jason W. Krug gives us this joyous arrangement that beautifully captures the anticipation and excitement of the Advent season. Listeners are taken on a journey of hope and expectation, celebrating the...

Written for 3 to 5 octave handbell choir. Level 3+.Lloyd Larson's arrangement of the hymntune ST. GEORGE'S WINDSOR is a steadfast interpretation that embodies the spirit of gratitude and celebration. Through Larson's masterful craftsmanship, the familiar...

Written for 3 to 6 octave handbell choir. Level 4.This setting by Jason W. Krug resonates with a festive spirit, infusing the timeless melody with vibrant energy and warmth. With its dynamic contrasts and expressive phrasing, this arrangement creates a...

Written for 4 to 6 octave handbell choir with optional E2 and F2 and optional 3 octaves of handchimes.  Level 4-.  This Baroque-style masterwork from the pen of Michael Helman is a fantastic opportunity for advanced ensembles to show off...

Full score for 3-6 octaves and solo organ, level 4-. Bold and striking describe this original composition by Michael Helman. From a majestic beginning replete with dotted rhythms, the piece moves to a flowing section with copious interplay between the...

Written for 5 to 7 octave handbell choir. Level 4.Fred Gramann's arrangement of Coventry Carol intertwines seamlessly with the haunting melody "Greensleeves," creating a poignant and evocative musical experience. With meticulous attention to detail, the...

 Arranged for 3-5 octave handbell choir with 3 octaves of handchimes.  Level 3+

3-5 octaves  level 3+  Sondra K. Tucker gives us the spirited and inspirational Creation's Dawn: A Prairie Hymn, for three to five octaves of handbells.  What begins as an ethereal prayer with mallets on suspended bells and the singing...

3-5 octaves, optional B-flat trumpet.  Christ the King Sunday and general worship.  Trumpet part (by Ben Tucker) is included in the score.