New

Christmas isn’t complete without a Forrest carol setting, and this new take on the familiar tune raises the bar yet again! From sparkling joy to layered "Gloria's" to moments of tender awe, the setting provides an incredible moment for your...

Phil Wickham's tender setting of this carol is arranged here for choir by Molly Ijames. A gentle instrumental motif unifies the steady growth between stanzas, and optional alternate lyrics for stanzas 2-3 provide opportunity for an even richer worship...

Beckenhorst's Congregational Anthem series features choral anthems with easily-learned parts and significant congregational involvement, for accessible but powerful expressions of singing in worship. Erik Dewar and Dan Forrest have collaborated on this...

Dan Forrest combines new music for Susan Boersma's text with the familiar strains of O God Our Help In Ages Past (ST. ANNE) to create a stirring and noble expression of God's eternal reign. "Yesterday, today, forever... God remains the sure foundation,...

"Do you not know? Have you not heard Who spoke you into being with a word? That Word ensures forevermore: the Everlasting God, He is the Lord." Pamela Stewart's text brings Isaiah 40 to life to modern ears, and Craig Courtney's musical setting is deeply...

The much-loved Getty/Townend modern hymn receives full festival treatment here, with fanfares, HYMN TO JOY Alleluias, compelling modulations, imitative textures, and soprano descant. A thrilling celebration for Easter Sunday! Optional organ and brass...

The captivating lyrics of the 17th century Passion Chorale still resonate today as we reflect on the somber final moments prior to Jesus’ death. Paired in this setting with the minor tonalities of the tune PROMISED LAND, along with an original refrain,...

A newly composed stirring refrain unifies the stanzas of the traditional chant melody in this highly accessible and easily learned anthem. Worth a look as a new framing for a familiar hymn in your Advent season! Optional cello part included in choral...

"You make a shelter of Yourself, my dwelling place, my home; a refuge in the wilderness, a shelter of shalom. Lead me home, lead me home, lead me home at last to you.” Craig Courtney’s setting poignantly communicates Pamela Stewart’s...

A haunting and soulful treatment of the well-known spiritual. The choral writing is refined yet simple, and instrumental echoes of "Sometimes I Feel Like a Motherless Child" add further depth of expression. Optional instrumental solo (cello, violin, or...

Marianne Forman once again finds a fresh way to present a familiar hymn, this time by using unexpected meter and rhythms to let phrases of NUN DANKET float in and gradually establish themselves. The ensuing stanzas continue to build in texture and...

Trevor Manor's gift for writing beautiful vocal lines and satisfying accompaniments shines brightly in this anthem, the first in the new Congregational Anthem Series. Combining the beauty of choral anthems with the importance of congregational singing,...

A fresh setting of the beloved hymn with unique treatments of the refrain, Tom Trenney's rich textures and harmonies bring the text alive in a new way for your choir and congregation. Optional obbligato part included in the choral octavo; optional organ...

This original song by Canadian songwriters Mark Murphy and Maureen Ennis, originally written for vocal trio and heard in various memorial occasions, has now been arranged by Dan Forrest, Jamie Hillman, and the composer for SATB choir as part of the...

Beckenhorst welcomes Nancy Ruth Durance to our catalog with this setting of "Open my eyes that I may see". Gentle syncopations in piano and voices provide murmuring motion in a reverent and hopeful setting that eventually soars with imitative layers...

Kyle Pederson's gift for songwriting is on full display in this heartfelt prayer for peace. Folk and classical styles blend seamlessly as the choir both asks for shalom, then offers shalom to the listener, to friends and family, to those we don't know,...

Scripture quotes from Romans 11 provide framing for the venerable hymn text and Holst's THAXTED ("Jupiter") tune in this stirring anthem of praise. Congregation can be added on the hymn tune, and an optional organ part (available separately) can be used...

This new music for the "O Little Town of Bethlehem" text moves from dark silence to bright hope and eventual abiding peace, as it traces the coming of Emmanuel. Optional cello part included in choral score.COMPANION PRODUCTSO Bethlehem - rehearsal tracks...

Craig Courtney infuses new joy and life into the CWM RHONDA tune with a buoyant syncopated accompaniment. The setting gradually gains intensity, culminating in a strong final chorus, "Songs of praises I will ever give to Thee."COMPANION PRODUCTSGuide Me,...

Trevor Manor brings the ancient plainchant into the 21st century with lush harmonies beautiful lines. Intuitive meters are carefully crafted to make this setting clear and useable. A lovely ancient/modern addition to your Christmas programming. COMPANION...

A beautifully refined setting of words from Psalm 139, Molly Ijames' expressive work is both soul-searching and deeply comforting. "Your hands have woven me together, I am known...where can I go, except to You, Lord, You alone; you are there." Optional...

Beckenhorst welcomes Wesley Peters to our catalog with this wonderfully catchy sea-shanty-inspired setting of John Newton text: "Be gone, unbelief, my Savior is near....with Christ in the vessel, I smile at the storm." Optional percussion parts (snare...

Newly revoiced for Tenor/Bass Choirs, this majestic setting of Charles Wesley's text “Ye Servants of God”, combined with resounding echoes of "Worthy the Lamb" provides a deeply moving experience suitable for Easter, Ascension, and general worship...

Martin Gehring's vivid and profound text comes to life in this Craig Courtney setting, pondering creation, seeking justice, encouraging the weary, and joining the song that connects us to our Creator. Exquisite music and text, yet with accessible choral...

This rollicking song from New Orleans is bound to be a favorite of choirs and audiences alike! The song was originally written by James Monque’D, a professional jazz and blues artist, and is now expertly arranged for an SSAA choir by Sarah K. May. Come...