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Written for 3 to 5 octave handbell choir. Level 3. This flowing setting of the well-known German carol is interspersed with statements from the carol "A Virgin Most Pure," lending a modal feeling throughout. The harmonies are rich and engaging, bringing...

Written for 3 to 5 octave handbell choir. Level 3.Karen Buckwalter's bold medley of the hymntunes CONSOLATION, KINGSFOLD, and VENI EMMANUEL highlights the birth of Jesus as that of the King of Kings. The tunes are masterfully woven together, building in...

Written for 2 to 3 octave handbell choir. Level 1+.This easy setting of the haunting Christmas tune sounds much bigger and more difficult than it is! While the rhythms are all level 1 and there are no bell changes, the varied techniques and tempo...

Written for 3 to 5 octave handbell choir. Level 1+.This easy setting of the haunting Christmas tune sounds much bigger and more difficult than it is! While the rhythms are all level 1 and there are no bell changes, the varied techniques and tempo...

Written for 2 to 3 octave handbell choir. Level 2+.Three beloved French carols (Angels We Have Heard on High, He Is Born, and Ding Dong Merrily on High) are woven together in this festive medley suitable for church or concert use. Compatible editions...

Written for 3 to 5 octave handbell choir. Level 2+.Three beloved French carols (Angels We Have Heard on High, He Is Born, and Ding Dong Merrily on High) are woven together in this festive medley suitable for church or concert use. Compatible editions...

Written for 3 to 7 octave handbell choir. Level 4.This masterwork, written for the Back Bay Ringers, is an exciting setting of the beloved Christmas carol, suitable for advanced ensembles. An opening tower-bell-like change ring gives way to a varied...

Written for 3 to 7 octave handbell choir. Level 3.Flowing eighth note arpeggios in 12/8 time underscore this rich setting of the tune ES IST EIN ROS. Delicate countermelodies weave in and out, and several sections on handchimes add a rich, sonorous tone...

Written for 3 to 5 octave handbell choir. Level 2.Mitchell Eithun brings us this setting of a tune from Franz Liszt's "Christmas Tree Suite" that is perfect for church or concert use during the Advent or Christmas seasons. Light and playful, it's a...

Written for 5 to 8 octave handbell choir. Level 5.Sandra Eithun's setting of TEMPUS ADEST FLORIDUM is a festive masterwork that brings a high level of excitement and joy to any performance. While the handbell part is challenging and more than sufficient...

Sandra Eithun's setting of TEMPUS ADEST FLORIDUM is a festive masterwork that brings a high level of excitement and joy to any performance. While the handbell part is challenging and more than sufficient in its own right, the addition of the optional...

Kyle Pederson creates a striking and ethereal tone poem in this fantasy-like carol setting for chorus, piano, and optional C instrument. Traditional text and tune combine with newly written words as well as a new musical refrain on the name "Emmanuel",...

Douglas Byler's simple but eloquent setting of the traditional Latin text O Nata Lux boasts beautifully shaped lines and satisfying harmonies. Choral and piano parts are easily learned, providing opportunity for nuanced phrasing and deep expression. A...

Polish composer Anna Rocławska-Musiałczyk joins the Beckenhorst catalog with this prize-winning choral artsong for treble choir. A full range of textures and colors from both choir and piano creates a mystical soundscape for this "O Antiphon." An...