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An original Christmas hymn by Erik Dewar (co-arranged with Dan Forrest), In Bethlehem paints a vivid and heartfelt picture of the Christmas story. Fresh takes on the Christmas narrative combine with angels' Alleluias in an anthem that is both modern and...

Written for 3 to 5 octave handbell choir. Level 3. This flowing setting of the well-known German carol is interspersed with statements from the carol "A Virgin Most Pure," lending a modal feeling throughout. The harmonies are rich and engaging, bringing...

Written for 2 to 3 octave handbell choir. Level 1+.This easy setting of the haunting Christmas tune sounds much bigger and more difficult than it is! While the rhythms are all level 1 and there are no bell changes, the varied techniques and tempo...

Written for 3 to 5 octave handbell choir. Level 1+.This easy setting of the haunting Christmas tune sounds much bigger and more difficult than it is! While the rhythms are all level 1 and there are no bell changes, the varied techniques and tempo...

Written for 2 to 3 octave handbell choir. Level 2+.Three beloved French carols (Angels We Have Heard on High, He Is Born, and Ding Dong Merrily on High) are woven together in this festive medley suitable for church or concert use. Compatible editions...

Written for 3 to 5 octave handbell choir. Level 2+.Three beloved French carols (Angels We Have Heard on High, He Is Born, and Ding Dong Merrily on High) are woven together in this festive medley suitable for church or concert use. Compatible editions...

Written for 3 to 7 octave handbell choir. Level 4.This masterwork, written for the Back Bay Ringers, is an exciting setting of the beloved Christmas carol, suitable for advanced ensembles. An opening tower-bell-like change ring gives way to a varied...

Written for 3 to 7 octave handbell choir. Level 3.Flowing eighth note arpeggios in 12/8 time underscore this rich setting of the tune ES IST EIN ROS. Delicate countermelodies weave in and out, and several sections on handchimes add a rich, sonorous tone...

Written for 3 to 5 octave handbell choir. Level 2.Mitchell Eithun brings us this setting of a tune from Franz Liszt's "Christmas Tree Suite" that is perfect for church or concert use during the Advent or Christmas seasons. Light and playful, it's a...

Written for 5 to 8 octave handbell choir. Level 5.Sandra Eithun's setting of TEMPUS ADEST FLORIDUM is a festive masterwork that brings a high level of excitement and joy to any performance. While the handbell part is challenging and more than sufficient...

Sandra Eithun's setting of TEMPUS ADEST FLORIDUM is a festive masterwork that brings a high level of excitement and joy to any performance. While the handbell part is challenging and more than sufficient in its own right, the addition of the optional...

Kyle Pederson creates a striking and ethereal tone poem in this fantasy-like carol setting for chorus, piano, and optional C instrument. Traditional text and tune combine with newly written words as well as a new musical refrain on the name "Emmanuel",...

This delightful but simple four-part a cappella anthem from Beckenhorst newcomer Justin Thomas Fields, A Babe Is Born in Bethlehem offers excellent energy and variety for your Christmas programming. Modal harmonies lend a distinct feel to its style,...

Now available for SSAA choir! Christmas isn't complete without a Forrest carol setting, and this new take on the familiar carol, Angels We Have Heard on High, raises the bar yet again! From sparkling joy to layered "Glorias" to moments of tender awe, the...

Now available for TTBB choir! Christmas isn't complete without a Forrest carol setting, and this new take on the familiar carol, Angels We Have Heard on High, raises the bar yet again! From sparkling joy to layered "Glorias" to moments of tender awe, the...

Dan Forrest's first collection of piano duets from Beckenhorst! Six of Dan's beloved Christmas anthems with four-hand accompaniments are artfully transcribed for piano-only. Each arrangement skillfully weaves its carol melody throughout the piano...

Trying to decide whether to have choir or congregation sing this carol in your Christmas service? Now you can have both: an optional congregational part allows audience to join the beauty of this joyful and festive setting. Effective with or without...

Douglas Byler's simple but eloquent setting of the traditional Latin text O Nata Lux boasts beautifully shaped lines and satisfying harmonies. Choral and piano parts are easily learned, providing opportunity for nuanced phrasing and deep expression. A...

Part of the Beckenhorst Congregational Anthem Series, this lush setting of Silent Night from Molly Ijames works equally well as a simple SATB anthem with optional congregation, or a congregational hymn with extra beauty and choral descant. Optional flute...

"...An echo in her memory of ancient prophecies: this Child of Mary's labor, this Child shall be our peace." Eileen Berry's poignant text, based on Micah 5, is exquisitely set for choir and piano by Molly Ijames. A meaningful addition to the Christmas...

Now available for TTBB choir! Elaine Hagenberg's haunting arrangement of the familiar Wexford Carol choir and piano becomes increasingly rich and textured, especially with the addition of oboe, percussion and string quartet/quintet. The Christmas story...