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The captivating lyrics of the 17th century Passion Chorale still resonate today as we reflect on the somber final moments prior to Jesus’ death. Paired in this setting with the minor tonalities of the tune PROMISED LAND, along with an original refrain,...

What a Savior, What a Friend (Movement 3 of TRINITY: Our God of Hope and Help) sets familiar hymn texts to new music that moves from plaintive cry to deep assurance and humble gratitude. Effective in general worship or during Lent and Holy Week. Each of...

A haunting and soulful treatment of the well-known spiritual. The choral writing is refined yet simple, and instrumental echoes of "Sometimes I Feel Like a Motherless Child" add further depth of expression. Optional instrumental solo (cello, violin, or...

The captivating lyrics of the 17th century Passion Chorale still resonate today as we reflect on the somber final moments prior to Jesus’ death. Paired in this setting with the minor tonalities of the tune PROMISED LAND, along with an original refrain,...

A haunting and soulful treatment of the well-known spiritual. The choral writing is refined yet simple, and instrumental echoes of "Sometimes I Feel Like a Motherless Child" add further depth of expression. Optional instrumental solo (cello, violin, or...

Kyle Pederson's gift for songwriting is on full display in this heartfelt prayer for peace. Folk and classical styles blend seamlessly as the choir both asks for shalom, then offers shalom to the listener, to friends and family, to those we don't know,...

Kyle Pederson's gift for songwriting is on full display in this heartfelt prayer for peace. Folk and classical styles blend seamlessly as the choir both asks for shalom, then offers shalom to the listener, to friends and family, to those we don't know,...

Beckenhorst welcomes Wesley Peters to our catalog with this wonderfully catchy sea-shanty-inspired setting of John Newton text: "Be gone, unbelief, my Savior is near....with Christ in the vessel, I smile at the storm." Optional percussion parts (snare...

Beckenhorst welcomes Wesley Peters to our catalog with this wonderfully catchy sea-shanty-inspired setting of John Newton text: "Be gone, unbelief, my Savior is near....with Christ in the vessel, I smile at the storm." Optional percussion parts (snare...

What a Savior, What a Friend (Movement 3 of TRINITY: Our God of Hope and Help) sets familiar hymn texts to new music that moves from plaintive cry to deep assurance and humble gratitude. Effective in general worship or during Lent and Holy Week. Each of...

Written for 3 to 6 octave handbell choir. Level 3-.Kurt Meyer joins the Beckenhorst catalog with this lush setting of the hymntune CLEANSING FOUNTAIN. Rich harmonies abound, supporting varying treatments of the melody, which moves throughout the...

Written for 2 to 3 octave handbell choir. Level 1.Beginning ensembles will love this setting of the tune HAMBURG by Linda Scholes. Despite having no bell changes and no notes shorter than quarter notes, this arrangement still has a full, lush sound and...

Written for 3 to 6 octave handbell choir. Level 3-.Kurt Meyer joins the Beckenhorst catalog with this lush setting of the hymntune CLEANSING FOUNTAIN. Rich harmonies abound, supporting varying treatments of the melody, which moves throughout the...

Written for 3 to 6 octave handbell choir. Level 3.Sandra Eithun's beautiful arrangement of the hymntune ST. CHRISTOPHER is perfect for any service during Lent, and is especially poignant for a Good Friday service. The subtly-shifting moods keep the...

Written for 3 to 6 octave handbell choir. Level 3.Sandra Eithun's beautiful arrangement of the hymntune ST. CHRISTOPHER is perfect for any service during Lent, and is especially poignant for a Good Friday service. The subtly-shifting moods keep the...

Written for 2 to 3 octave handbell choir. Level 1.Beginning ensembles will love this setting of the tune HAMBURG by Linda Scholes. Despite having no bell changes and no notes shorter than quarter notes, this arrangement still has a full, lush sound and...

Written for 3 to 6 octave handbell choir. Level 3-.A delicate and exposed opening gives way to a more chordal setting of the tune HERZLIEBSTER JESU in this arrangement by Jason Krug. Fresh harmonies abound as the piece builds toward a majestic climax...

Written for 3 to 6 octave handbell choir. Level 3-.A delicate and exposed opening gives way to a more chordal setting of the tune HERZLIEBSTER JESU in this arrangement by Jason Krug. Fresh harmonies abound as the piece builds toward a majestic climax...

Now available for Treble choirs, this soaring original setting of Frances Havergal’s text combined with Scripture provides a much-needed message of hope. A shimmering accompaniment and easily learned vocal lines open this work to choirs of all sizes for...

Now available for Treble choirs, this soaring original setting of Frances Havergal’s text combined with Scripture provides a much-needed message of hope. A shimmering accompaniment and easily learned vocal lines open this work to choirs of all sizes for...

Now available for Tenor/Bass choirs, Charles Wesley’s text, set to CHODAN, is a tender, yet emphatic statement of faith and commitment. Scored for TTBB chorus with piano and optional violin (part included in the choral score) this anthem is suitable for...

Now available for Tenor/Bass choirs, Charles Wesley’s text, set to CHODAN, is a tender, yet emphatic statement of faith and commitment. Scored for TTBB chorus with piano and optional violin (part included in the choral score) this anthem is suitable for...

“Before the cross of Christ we stand, and gaze upon the nail-pierced hands of Him who died that we might live eternally”. This Larson setting provides an accessible but meaningful addition to your Lenten season, or as a reflection on Good Friday...

“Before the cross of Christ we stand, and gaze upon the nail-pierced hands of Him who died that we might live eternally”. This Larson setting provides an accessible but meaningful addition to your Lenten season, or as a reflection on Good Friday...

This new hymn tune in minor key provides a deep and settled certainty as Craig Courtney’s setting declares our trust and dependence on God for protection and comfort. Add the optional brass quartet for additional color and strength. Available in SATB,...