Beckenhorst Press

This marvelous new arrangement of the classic hymn for SSAA voices begins with quiet assurance, a beautiful combination of strength and gentleness which continues to build until the congregation...

Now available for TTBB voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied...

Now available for TTBB voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Now available for TTBB voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as...

Now available for SSAA voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied...

Now available for SSAA voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Now available for SSAA voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as...

This soulful setting of original text by Tom Trenney invokes a gospel music tradition, "preaching" its text through declamation and bluesy harmonies: "God wouldn't bring you this far to leave you;...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement...

Craig Courtney sets words from Psalm 33 for SATB choir and piano with optional flute or violin. Text including "the earth is full of the goodness of the Lord" is then painted by floating instrumental...

A refrain of Alleluias surrounds this prayer for healing written by Joseph Martin. Inspiring musical images become metaphors for redemption: "Lord, heal our wounded alleluias; touch our fragile,...

A hauntingly beautiful collaboration between modern hymnwriter Erik Dewar and Dan Forrest, this anthem for SATB voices (with piano and optional strings) weaves together a newly written hymn with "I...

An exciting arrangement of the traditional spiritual with a 4-hand accompaniment. Give a soloist and your men’s chorus the opportunity to shine in this energetic presentation. Your congregation...

Written for 5 to 8 octave handbell choir. Level 4.   COMPANION PRODUCTS Lux Aeterna - full score and string parts

Written for 5 to 8 octave handbell choir. Level 4.   COMPANION PRODUCTS Lux Aeterna - handbell part

Written for 3 to 6 octave handbell choir. Level 4. This exciting original tune from the pen of Jason Krug is not to be missed! Featuring alternating measures of 4/4 and 3/4, the joyful, memorable...

Written for 4 to 7 octave handbell choir. Level 3+. From the pen of the talented Sandra Eithun comes this engaging setting of the hymntune MELITA. A haunting, slightly dissonant opening gives way to...

Written for 3 to 6 octave handbell choir. Level 3. This original tune full of syncopations and unexpected harmonic twists is the perfect choice for any moment of celebration! Varied textures and...

Written for 3 to 5 octave handbell choir. Level 3+. Karen Buckwalter has given us an innovative take on the beloved hymntune NICAEA. The opening gives the tune a meditative feel, complete with...

Written for 3 to 5 octave handbell choir. Level 4. A fanfare-like opening gives way to a delicate melody underscored by malleted bells in a 3+3+2 rhythmic pattern, which recurs throughout the piece...

Written for 3 to 5 octave handbell choir. Level 3-. This beautiful setting of the hymntunes LAUDES DOMINI and ROYAL OAK is a great choice for worship or concert use. Approachable by intermediate...

Written for 4 to 7 octave handbell choir. Level 5. A delicate, ethereal opening gives way to a forceful, driving melody that travels through various moods and keys as it builds in intensity. The...

"As the path leads through sorrow, will the Lord still be my stay? Jesus answers with His presence and makes my spirit sing, in the shadow of His wing." Lloyd Larson is at his best in this setting of...