God Rest Ye Merry, Gentlemen (ICC5024), arranged by Stan Spottswood, brings fresh energy to the beloved Christmas carol through skillful a cappella writing and vibrant vocal textures. Optional percussion adds further drive and color, making this a...

Loch Lomond (ICC5023), arranged by Christopher Alexander, is a beautiful a cappella setting of the beloved Scottish folk song for SATB choir and soloist. The arrangement highlights the song’s poignant text and timeless melody, with the solo voice...

Wataki Wa Krismasi (“It’s Christmas Time”) by Will Lopes is an energetic a cappella work for SSATTB voices that celebrates the joy and excitement of the holiday season. Rhythmic drive and vibrant vocal textures create a sense of momentum throughout,...

Die Welt wird dein Lied singen (ICC4062) was written with the hope that young singers will find confidence, hope, and courage to help change the world through their own voices. With music by Hyun Kook and text by Heeyeon Kim and Marius Popp, this...

Who Has Seen the Wind? by Mark Sirett pairs Christina Rossetti’s familiar text with accessible and engaging writing for SA voices. Echoing phrases between the voice parts create musical interest and the carefully crafted harmonies provide an excellent...

The Rainbow (ICC4060) by Mark Sirett is a graceful SA setting of Christina Rossetti’s beloved poem. Gentle syncopations bring a sense of movement and freshness to the vocal lines, while the flowing piano accompaniment evokes the river imagery found in...

Sh’ma (ICC4059) by Darla Eshelman is a lyrical SSA setting of the Hebrew prayer Sh’ma Yisrael. The flowing vocal lines give a sense of reverence, allowing the text to unfold with a natural sense of reflection and beauty. As the piece develops, the...

Marinheiro (ICC4058) by Daisy Fragoso is a playful arrangement of a traditional Brazilian song with rhythmic energy for SA voices. Featuring text in both Portuguese and English, the piece offers singers an accessible introduction to language while...

Cradle Song by Mark Sirett is an expressive SSA setting of William Blake’s gentle text, unfolding with a tender, flowing musical line that reflects the poem’s quiet sense of comfort and care. Sirett’s sensitive writing allows the words to sit naturally...

Nancy Ruth Durance's Gloria, available as SA (ICC1089), SSA (ICC1099), and SATB (ICC2031), is an exuberant setting that combines a dance-like compound meter, rhythmic accents, syncopation, and contemporary harmonies. The work opens with an opening...

Add a touch of magic to your holiday season with "Christmas Every Day," a delightful new choral piece by Dan Mitchell. This heartwarming unison arrangement captures the joy and wonder of Christmas, celebrating the spirit of giving and togetherness that...

Come and Go with Me (ICC2029) by John Stebbe is an engaging arrangement of the traditional spiritual that captures the song’s welcoming spirit and sense of community. The children’s choir adds an appealing contrast to the SATB ensemble, creating...

Nancy Ruth Durance's Gloria, available as SA (ICC1089), SSA (ICC1099), and SATB (ICC2031), is an exuberant setting that combines a dance-like compound meter, rhythmic accents, syncopation, and contemporary harmonies. The work opens with an opening...

Add a touch of magic to your holiday season with "Christmas Every Day," a delightful new choral piece by Dan Mitchell. This heartwarming unison arrangement captures the joy and wonder of Christmas, celebrating the spirit of giving and togetherness that...

Opera Bird (ICC1097) by Eddie Cavazos and Trevor Phillips is a charming unison piece that playfully asks whether you have an “opera bird” and if it can perform various musical tricks. Through its whimsical text and engaging writing, young singers are...

When the Frost Is on the Punkin’ (ICC1096) by Tim Cahalan sets James Whitcomb Riley’s well-loved autumn poem alongside original text by the composer, thoughtfully woven together in a partner-song structure. The two layers create a playful contrast and...

Some One (ICC1095) by Leeann Starkey is an atmospheric SA setting of Walter de la Mare’s intriguing poem, built around the haunting text, “Some one came knocking at my wee, small door.” The piano plays an active role throughout, adding subtle effects...

Just a Dream Away (ICC1094) by Leeann Starkey is an upbeat and optimistic SA work that invites singers to imagine a brighter future through hopeful, forward-looking text. Text such as “our future is a dream away” and “we hold the key to shape the world...

Fishermen’s Duet (ICC1093) by Jordan Dollins is an energetic SA arrangement that combines two beloved Newfoundland folk tunes, I’s the B’y and Feller from Fortune, into a lively partner-song style setting. Full of folk character and infectious energy,...

Snow Creations (ICC1092) by Dawn Baker Jurkiewicz is a cheerful unison piece that captures the fun and imagination of a winter day spent outdoors. The song follows the story of building snow forts, playing in fresh snowfall, and making snow angels, all...

Set to Robert Louis Stevenson’s well-known poem, The Wind by Harry Richardson captures the playful unpredictability of the unseen force that “sings so loud a song.” Written in a lilting 12/8 meter, the SA setting uses flowing rhythms and wordless “oh”...

Set to the evocative poem by Emily Pauline Johnson (Tekahionwake), The Bird's Lullaby (ICC1090) is a gentle, lilting lullaby that captures the quiet beauty of birds resting among swaying cedar branches at twilight. Kieckhafer's flowing melodies and...

Nancy Ruth Durance's Gloria, available as SA (ICC1089), SSA (ICC1099), and SATB (ICC2031), is an exuberant setting that combines a dance-like compound meter, rhythmic accents, syncopation, and contemporary harmonies. The work opens with an opening...

I Saw Three Ships (ICC1088) is a lively SSA arrangement of the traditional English carol by Leeann Starkey and an excellent introduction to accessible three-part singing for developing treble choirs. Carefully crafted voice leading helps singers gain...

Accomplished arranger Lloyd Larson has produced this accessible setting of “We Three Kings,” in compatible editions for 2-3 or 3-6 octaves of handbells. Driving rhythms and fresh harmonies bring this classic Epiphany carol to life.