30 results for matt mcdonald

Mary McDonald has taken the beloved words of Ruth 1:16-17 and given us a simple but beautiful setting. The addition of a cello obbligato (part included in choral score) enhances its beauty even more...

Mary McDonald has taken the beloved words of Ruth 1:16-17 and given us a simple but beautiful setting. The addition of a cello obbligato (part included in choral score) enhances its beauty even more...

With text based on Psalm 46:10, this Mary McDonald anthem offers the tender admonition to be still and know that I am God balanced with the quiet promise of the gift of peace. Scored for SATB with...

A new setting of the famous Prayer of St. Francis from Mary McDonald, with tranquil melodic lines from choir entwining with optional oboe obbligato. A contrasting middle section and a floating...

With text based on Psalm 46:10, this Mary McDonald anthem offers the tender admonition to be still and know that I am God balanced with the quiet promise of the gift of peace. Scored for SATB with...

A new setting of the famous Prayer of St. Francis from Mary McDonald, with tranquil melodic lines from choir entwining with optional oboe obbligato. A contrasting middle section and a floating...

Built on selected text from the well-known hymn, “Be Still My Soul”, this anthem, scored for SATB choir, is suitable for any occasion. The gentle, flowing keyboard accompaniment...

The captivating lyrics of the 17th century Passion Chorale still resonate today as we reflect on the somber final moments prior to Jesus’ death. Paired in this setting with the minor tonalities of...

Downloadable Rehearsal Tracks. The Beckenhorst Singers recording has been remixed to feature each voice part in separate part-dominant tracks. In each track, your singers will hear professional...

The captivating lyrics of the 17th century Passion Chorale still resonate today as we reflect on the somber final moments prior to Jesus’ death. Paired in this setting with the minor tonalities of...

Downloadable Rehearsal Tracks. The Beckenhorst Singers recording has been remixed to feature each voice part in separate part-dominant tracks. In each track, your singers will hear professional...

A flowing, sensitive SATB anthem appropriate for any time of the year. Truly beautiful. 

Built on selected text from the well-known hymn, “Be Still My Soul”, this anthem, scored for SATB choir, is suitable for any occasion. The gentle, flowing keyboard accompaniment...

4-7 octaves - level 4+  -   -  This advanced original composition starts off with grand, slow chords, but don’t let that simplicity fool you — what begins peacefully...

Arranged for 3 to 6 octave handbells, 2 octaves of handchimes and optional flute or violin.  Level 3.  Combining the tunes “Just As I Am” and “Will the Circle Be...

Written for 5 to 7 octave handbell choir and 5 to 6 octaves of handchimes.  Level 3+.  Lush harmonies underscore this beautiful, prayerful melody by Matthew Compton.  The triplet...

Written for 3 to 5 octave handbell choir. Level 3.Michael Compton’s arrangement of The Old Rugged Cross features a variety of techniques and optional handchimes. Listeners will feel the solemnity of...

Arranged for 3 to 6 octave handbell choir and optional 2 octaves of handchimes.  Level 3+. Full of energy and whimsy, Matthew Compton's setting of the hymn tune FOREST GREEN is a fun choice for...

Arranged for 3 to 7 octave handbell choir, optional 3 octaves of handchimes and optional 3 octaves of Auxillary Bells.  Level 3+.  Matthew Compton's setting of the tune EBENEZER...

Written for 5 to 8 octave handbell choir. Level 4.   COMPANION PRODUCTS Lux Aeterna - handbell part

Written for 5 to 8 octave handbell choir. Level 4.

3-7 octaves, level 3.  Matthew Compton's setting of the Jason Tonioli arrangement.

Written for 3-4 octave handbell choir and 3 octaves of handchimes.  Level 3.  This stunning original from Matthew Compton is replete with emotion and descriptive storytelling. From a...

Arranged for 3 to 7 octave handbell choir and 3 to 7 octaves of handchimes.  Level 3+.  Haunting opening chords set the stage for Matthew Compton’s arrangement of this...