A marvelous setting of the traditional spiritual scored for choir and piano 4-hands. This one packs a lot of punch. Your choir will love to sing it, your accompanists will love to play it and your congregation will beg for more! SATB and piano...

3-5 octave with optional D8 and E8 and optional 3 octaves of handchimes - level 3-    Based on Gustav Holst’s hymntune Thaxted, this piece makes an excellent contemplative offering for any patriotic service or concert. The familiar...

Pamela Martin provides us with a richly-layered text which explores the irony of a sovereign God powerless to quench His own thirst.  With the plethora of Holy Week offerings, it is refreshing to find an anthem with such a unique approach to the...

Suzanne Hunt Paterson and Mary Kay Beall have teamed up to create an anthem that honors the wonderment of nature. Written for unison choir/children's choir, the optional flute part adds a layer of beauty to this charming song. 

Full score and parts for 3 trumpets, 2 trombones, timpani and chimes Companion products: I Sing the Mighty Power of God

Bring your congregation to its feet with this magnificent setting of the familiar hymn for SATB Choir, Piano and optional Brass Quintet, Timpani and Chimes. Appropriate for any service of worship or celebration, this anthem is full of the power of which...

An evocative SATB selection about transcendent worship and eternity. Optional violin or C instrument included in the octavo - Lyrics by Herbert Brokering.

4 octaves, level 4

A SATB reflective lullaby in which Mary’s thoughts become our own.  Lyrics by Pamela Martin.

John Ness Beck setting of the hymn-tune NEED for SATB choir. Appropriate for the Lenten season. 

Intense romanticism is used to express Robert Lowry's words of utter dependence on God for peace, protection and spiritual renewal. 

How refreshing to find an alternative to the usual lyric, contemplative offerings for the Lenten season!  Arranged in gospel style, the words and melody of Elisha Hoffman take on new meaning in Lloyd Larson's effective setting.  Midway through...

How refreshing to find an alternative to the usual lyric, contemplative offerings for the Lenten season!  Arranged in gospel style, the words and melody of Elisha Hoffman take on new meaning in Lloyd Larson's effective setting.  Midway through...

Full score and parts for flute I and II, oboe I and II, clarinet I and II, bassoon I and II, horn in F I-IV, trombone I and II, bass trombone, tuba, harp, violin I and II, viola, cello, doublebass Companion products: I Miss You Most at Christmastime

SATB  The Christmas season is not only a time of joy and celebration, it is also a time when we face the absence of loved ones for many reasons.  Written in memory of the composer's son, Adam, who died of leukemia at age four.  An...

Based on St. Thomas, this SATB anthem by John Carter features a text of adoration toward the world of our God. The addition of trumpet and pipe organ add a layer of interest and help enhance the message of the piece.

From Ingall's Christian Harmony plubished in 1805 comes the basis for this John Carter SATB hymn. The text speaks of adoration for the Divine and the music is conceived in a way that makes it singable for any level of four-part ensembles. Suitable for...

 Arranged for 3-5 octave handbell choir.  Level 3.  Tune from Jeremiah Ingall's Christian Harmony (1805)

A traditional Scottish folksong has been adapted by Betty Fidler into a beautiful SATB anthem using the setting of Mr. Craig Courtney. 

Mr. Moore has written a 2-part anthem that offers flexibility between same or different gendered ensembles. The text, speaking of assurance and the promise of heaven, is appropriate for general use as well as any funeral or memorial service. 

This arrangement of a lesser-known spiritual is just plain fun for the singer, the accompanist and, in particular, the listener.  The exuberant, joyful, unashamed declaration of God's saving grace is alternated with statements of Christ's ministry...

Job's words of hope are joined with the angels' song in the fifth chapter of Revelation to provide the foundation for this stirring anthem of praise.

The surprise entry of the four-hand accompaniment following the a cappella opening sets the stage for continuous dynamic excitement as the anthem builds in intensity with every “Glory, Hallelujah!” Now available in SATB, SSAA and TTBB...

The surprise entry of the four-hand accompaniment following the a cappella opening sets the stage for continuous dynamic excitement as the anthem builds in intensity with every “Glory, Hallelujah!” Now available in SATB, SSAA and TTBB...

This SATB setting, driven by an exciting four-hand piano accompaniment, builds in intensity with every Glory, Hallelujah! The a cappella opening will take your congregation by surprise and the development will hold them until the last Hallelujah! ...