Part of the Beckenhorst Congregational Anthem Series, Molly Ijames' setting of The First Noel works equally well as an Easy SATB anthem or as a congregational anthem. Choral parts are easily learned but elegant and satisfying, and piano (or optional...

Part of the Beckenhorst Congregational Anthem Series, Molly Ijames' setting of The First Noel works equally well as an Easy SATB anthem or as a congregational anthem. Choral parts are easily learned but elegant and satisfying, and piano (or optional...

Craig Courtney brilliantly sets the two sections of Pamela Stewart's poem to different tunes, then pulls them together to be sung simultaneously, picturing the text "...No distance left between us, we are no longer two; O what can separate us? I lose...

Craig Courtney brilliantly sets the two sections of Pamela Stewart's poem to different tunes, then pulls them together to be sung simultaneously, picturing the text "...No distance left between us, we are no longer two; O what can separate us? I lose...

"Arms opened wide to the needs of the neighbor; eyes opened wide by the wonders of God's will....No longer alien or stranger or outcast – my holy house is a house of prayer for all." Mary Louise Bringle's text of welcome is set to an original hymntune by...

"Arms opened wide to the needs of the neighbor; eyes opened wide by the wonders of God's will....No longer alien or stranger or outcast – my holy house is a house of prayer for all." Mary Louise Bringle's text of welcome is set to an original hymntune by...

Christopher Enloe offers an exquisite prayer for comfort and protection. "May He Hold Us" is deeply moving as an anthem, a choral benediction, a sacred encore/closer, or for services of remembrance or memorial.COMPANION PRODUCTSBP2412CDDL – May He Hold...

Christopher Enloe offers an exquisite prayer for comfort and protection. "May He Hold Us" is deeply moving as an anthem, a choral benediction, a sacred encore/closer, or for services of remembrance or memorial.COMPANION PRODUCTSBP2412CDDL – May He Hold...

Winner of the 2025 Indianapolis Symphonic Choir Carol Competition, Benjamin Knoedler's "Ding Dong, Merrily on High!" marvelously weaves together the traditional French carol with the "Troika" theme from Prokofiev; the two melodies seem to fit together...

Winner of the 2025 Indianapolis Symphonic Choir Carol Competition, Benjamin Knoedler's "Ding Dong, Merrily on High!" marvelously weaves together the traditional French carol with the "Troika" theme from Prokofiev; the two melodies seem to fit together...

Beckenhorst's first-ever publication of "I Heard the Bells on Christmas Day" is this reimagining of the carol by Marianne Forman. Slight adjustments lend a timely feel while preserving a richly artistic setting that paints the text effectively as it...

Beckenhorst's first-ever publication of "I Heard the Bells on Christmas Day" is this reimagining of the carol by Marianne Forman. Slight adjustments lend a timely feel while preserving a richly artistic setting that paints the text effectively as it...

Marianne Forman sets this metaphorical text for choir, piano, and optional oboe: "...My soul is carried to the shore on breath divine, and on its helm there rests a hand other than mine: One who was known in storms to sail...above the roaring of the gale...

Marianne Forman sets this metaphorical text for choir, piano, and optional oboe: "...My soul is carried to the shore on breath divine, and on its helm there rests a hand other than mine: One who was known in storms to sail...above the roaring of the gale...

"You brush the vault of heaven and paint the stars of night, each with a separate splendor, the canvas filled with light." In Sanctus (A Separate Splendor), Craig Courtney sets Pamela Stewart's radiant words about the glory of the heavens being the same...

"You brush the vault of heaven and paint the stars of night, each with a separate splendor, the canvas filled with light." In Sanctus (A Separate Splendor), Craig Courtney sets Pamela Stewart's radiant words about the glory of the heavens being the same...

An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text, The Embrace, which explores God's never-ending presence in all things: "Called or uncalled, God, you are present, within the air, the breath I take; the arms...

An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text, The Embrace, which explores God's never-ending presence in all things: "Called or uncalled, God, you are present, within the air, the breath I take; the arms...

"I sing to you across the distance; come, sing me to the other side...Lord, when you sing, all life is music; I sing to you, come sing to me forevermore." Pamela Stewart's thought-provoking text explores the nature of our singing to God, and God's...

"I sing to you across the distance; come, sing me to the other side...Lord, when you sing, all life is music; I sing to you, come sing to me forevermore." Pamela Stewart's thought-provoking text explores the nature of our singing to God, and God's...

After years of waiting, Dan Forrest has finally given us his magical take on O Holy Night, one of our greatest Christmas carols! This glorious arrangement vividly brings the picturesque scenes of the text to life in new ways while still preserving the...

After years of waiting, Dan Forrest has finally given us his magical take on O Holy Night, one of our greatest Christmas carols! This glorious arrangement vividly brings the picturesque scenes of the text to life in new ways while still preserving the...

A tour de force setting in Latin and English based on Psalm 148, Christopher Enloe's stunning concert work will show off your choir's full potential. Rhythmic and metric excitement, a driving piano part, surprising twists and turns, and optional clapping...

A tour de force setting in Latin and English based on Psalm 148, Christopher Enloe's stunning concert work will show off your choir's full potential. Rhythmic and metric excitement, a driving piano part, surprising twists and turns, and optional clapping...

Written for 5 to 7 octave handbell choir and 3 octaves of handchimes.  Level 3.  This stunning original from Matthew Compton is replete with emotion and descriptive storytelling. From a delicate, ethereal opening, the piece moves into a...