Written for 3 to 5 octave handbell choir. Level 3-.Based on Psalm 30:11, Linda Scholes’ Dance Felice will “turn your mourning into dancing.” The lilting 6/8 meter and staccato sections provide motion and excitement.

Written for 3 to 5 octave handbell choir. Level 3.Making the most of a variety of techniques, this rondo by Michael Helman will work beautifully in a worship service or concert. The contrasting sections provide lots of interest for performers and...

Written for 3 to 5 octave handbell choir. Level 3.Michael Compton’s arrangement of The Old Rugged Cross features a variety of techniques and optional handchimes. Listeners will feel the solemnity of the tune as performers work on their delicate...

(Live video of Pater Noster begins at 40:00 in the second video above)Commissioned by the Cucinelli Foundation in Solomeo, Italy, this expansive 16-minute setting of The Lord's Prayer in Latin explores various textual aspects of "Our Father" as darker...

A major work for SSAA choirs! All five movements of LUX: The Dawn From On High are now available for treble choirs, and can be performed with piano (included in choral score). Optional organ, percussion, solo strings, chamber ensemble, small orchestra,...

A major work for SSAA choirs! All five movements of LUX: The Dawn From On High are now available for treble choirs, and can be performed with piano (included in choral score). Optional organ, percussion, solo strings, chamber ensemble, small orchestra,...

A major work for SSAA choirs! All five movements of LUX: The Dawn From On High (originally composed for SATB) are now available for treble choirs, and can be performed with piano (included in choral score). Optional organ, percussion, solo strings,...

A lovely new setting of the ancient text: "Come, Holy Ghost, Creator blest, and in our hearts take up Your rest....come, Spirit, come and make us whole." Suitable for Pentecost or general worship.

This rugged early American tune provides an assertive choral repertoire option during the Lenten season: "Take up your cross, the Savior said, if you would my disciple be; take up your cross with willing heart, and humbly follow after me." For SAB or...

A new festival setting of the traditional hymn, sure to add energy and joy to your Palm Sunday celebration. For SATB choir and organ with optional brass quartet and percussion, as well as optional children's choir and congregation. COMPANION...

This simple yet ethereal setting of the early American folk hymn may be sung by two-part treble voices, or may be sung as an easy (parallel voicing) SATB anthem using the included markings in the score. Highly effective with minimal difficulty! For SA or...

Kenyan composer Daniel Muroki uses creative harmonies, rich piano textures, lovely countermelody and dramatic modulations to offer an effective new setting to this hymn for SATB voices and piano.

The traditional text and tune are elevated by the exquisite treatment for which Howard Helvey is known. Refined, elegant lines weave into a lovely prayer of aspiration for SATB choir and organ. Composer Note "At Calvary Episcopal Church, my parish in...

This marvelous new arrangement of the classic hymn for TTBB voices begins with quiet assurance, a beautiful combination of strength and gentleness which continues to build until the congregation joins with the choir and instruments to a dramatic final...

This marvelous new arrangement of the classic hymn for SSAA voices begins with quiet assurance, a beautiful combination of strength and gentleness which continues to build until the congregation joins with the choir and instruments to a dramatic final...

Now available for TTBB voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we...

Now available for TTBB voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and...

Now available for TTBB voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative, lyric manner...

Now available for SSAA voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we...

Now available for SSAA voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and...

Now available for SSAA voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative, lyric manner...

This short but soaring Amen can be sung a cappella or accompanied with the included simple piano part. Try it as a benediction, a choral reflection, or as a short farewell to close a sacred concert. Composers Note "I’ve always loved choral pieces...

This soulful setting of original text by Tom Trenney invokes a gospel music tradition, "preaching" its text through declamation and bluesy harmonies: "God wouldn't bring you this far to leave you; no height nor depth nor anything else can separate us...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement "Hallelu Yah", just as the three Psalms do. Optional...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement "Hallelu Yah", just as the three Psalms do. Optional...