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Molly Ijames' colonial-style setting of this Palm Sunday hymn makes it stand out among the crowd. The addition of two flutes and drum, easily-learned vocal parts and a rhythmic piano accompaniment all combine to create its compellingly energetic mood...

This soaring original setting of Frances Havergal text combined with Scripture provides a much-needed message of hope. A shimmering accompaniment and easily learned vocal lines open this up to choirs of all sizes for concert or service use.  "Light...

This soaring original setting of Frances Havergal text combined with Scripture provides a much-needed message of hope. A shimmering accompaniment and easily learned vocal lines open this up to choirs of all sizes for concert or service use.  "Light...

Written for 4 to 7 octave handbell choir and optional 4 to 7 octaves of handchimes.  Level 4+.  This joyous original tune from the pen of Jason Krug is based loosely on the opening chapters of the book of Genesis, from the creation of the...

Arranged for 3 to 5 octave handbell choir.  Level 3-.  Delight your congregation this Christmas season with this exuberant medley of two beloved carols from the pen of Lloyd Larson. Combining “Hark! the Herald Angels Sing” and...

Patricia Hurlbutt’s lush arrangement of this Latvian folk tune is a beautiful choice for the ensemble looking for something a little different.  The simple melody is paired with flowing accompaniments and rich harmonies, yielding a perfect...

Michael Helman’s masterful medley of five popular Christmas carols is sure to delight and intrigue ringers and listeners alike.  Varying styles, textures, and techniques keep each tune interesting while providing ensembles a chance to stretch...

Dramatic alleluias and an assertive rhythmic impetus interwoven with quotes of Beethoven’s Hymn to Joy continually combine with Crown Him with Many Crowns (DIADEMATA), building to an overwhelming scene of worship of the risen Savior, perfect for...

Dramatic alleluias and an assertive rhythmic impetus interwoven with quotes of Beethoven’s Hymn to Joy continually combine with Crown Him with Many Crowns (DIADEMATA), building to an overwhelming scene of worship of the risen Savior, perfect for...

The first movement of Craig Courtney’s trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isiah 55 is expressed as a celebration rather than the meditative, lyric manner found in most settings. In...

The first movement of Craig Courtney’s trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isiah 55 is expressed as a celebration rather than the meditative, lyric manner found in most settings. In...

This regal, stately second movement of Craig Courtney’s trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and people alike...

This regal, stately second movement of Craig Courtney’s trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and people alike...

The third movement of Craig Courtney’s trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we bring to Him. The melody,...

The third movement of Craig Courtney’s trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we bring to Him. The melody,...

A delicate and gentle introduction gives way to an energetic and upbeat setting of the well-known song, accompanied with malleted and thumb damped bells.  A chordal verse replete with rich harmonies gives a brief respite from the driving...

Written by Karen Lakey Buckwalter in memory of her brother, this original, heartfelt work will challenge your ensemble’s musicality and tug on the heartstrings of your audiences.  Featuring haunting, whole-tone harmonies and lush melodic...

Arranged for 2 to 5 octave handbell choir.  Level 3.  Patricia Hurlbutt’s arrangement of this lesser-known English carol is a true delight to both ring and hear!  Featuring numerous key changes and a wide variety of techniques,...

Arranged for 3 to 6 octave handbell choir.  Level 3.  Brenda Austin has deftly combined the tunes “How Great Our Joy,” “He Is Born, the Holy Child,” and “Joy to the World” in this festive medley...

Music by Charles H. Gabriel.  Arranged for 3 to 7 octave handbell choir, optional 3 to 5 otaves of handchimes and optional flute.  Level 3+.  Flute part is included.  Brian Childer’s evocative arrangement of this beloved...

Mary McDonald has taken the beloved words of Ruth 1:16-17 and given us a simple but beautiful setting. The addition of a cello obbligato (part included in choral score) enhances its beauty even more. Suitable as an expression of commitment in any church...

Mary McDonald has taken the beloved words of Ruth 1:16-17 and given us a simple but beautiful setting. The addition of a cello obbligato (part included in choral score) enhances its beauty even more. Suitable as an expression of commitment in any church...

Joyful, indeed, is Kerry Johnston’s setting of the well-known Beethoven melody!  Full chords and interesting treatments of the tune abound, giving each verse a new and fresh sound.  The final verse in 6/8 time rounds out the piece in an...

Arranged for 3 to 6 octave handbell choir and optional 3 to 5 octaves of handchimes.  Level 3.  A sequence of mysterious opening chords give way to a melancholy setting of this beautiful Appalachian carol.  A middle iteration of the...

A light, playful opening sets the tone for this upbeat, dance-like original by John Behnke.  A number of different techniques occur throughout the piece, yielding aural interest, and the frequent sixteenth notes and meter changes will keep ringers...