Beckenhorst Press

This soulful setting of original text by Tom Trenney invokes a gospel music tradition, "preaching" its text through declamation and bluesy harmonies: "God wouldn't bring you this far to leave you;...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement...

Craig Courtney sets words from Psalm 33 for SATB choir and piano with optional flute or violin. Text including "the earth is full of the goodness of the Lord" is then painted by floating instrumental...

A refrain of Alleluias surrounds this prayer for healing written by Joseph Martin. Inspiring musical images become metaphors for redemption: "Lord, heal our wounded alleluias; touch our fragile,...

A hauntingly beautiful collaboration between modern hymnwriter Erik Dewar and Dan Forrest, this anthem for SATB voices (with piano and optional strings) weaves together a newly written hymn with "I...

Eight fresh hymn arrangements from Kenyan composer Daniel Muroki, with styles ranging from classical to jazz. Medium difficulty puts these arrangements within reach for church pianists everywhere,...

A lovely new setting of the ancient text: "Come, Holy Ghost, Creator blest, and in our hearts take up Your rest....come, Spirit, come and make us whole." Suitable for Pentecost or general worship.

This rugged early American tune provides an assertive choral repertoire option during the Lenten season: "Take up your cross, the Savior said, if you would my disciple be; take up your cross with...

A new festival setting of the traditional hymn, sure to add energy and joy to your Palm Sunday celebration. For SATB choir and organ with optional brass quartet and percussion, as well as optional...

This simple yet ethereal setting of the early American folk hymn may be sung by two-part treble voices, or may be sung as an easy (parallel voicing) SATB anthem using the included markings in the...

Kenyan composer Daniel Muroki uses creative harmonies, rich piano textures, lovely countermelody and dramatic modulations to offer an effective new setting to this hymn for SATB voices and piano.

The traditional text and tune are elevated by the exquisite treatment for which Howard Helvey is known. Refined, elegant lines weave into a lovely prayer of aspiration for SATB choir and organ...

This marvelous new arrangement of the classic hymn for TTBB voices begins with quiet assurance, a beautiful combination of strength and gentleness which continues to build until the congregation...

This marvelous new arrangement of the classic hymn for SSAA voices begins with quiet assurance, a beautiful combination of strength and gentleness which continues to build until the congregation...

Now available for TTBB voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied...

Now available for TTBB voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Now available for TTBB voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as...

Now available for SSAA voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied...

Now available for SSAA voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Now available for SSAA voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as...

This short but soaring Amen can be sung a cappella or accompanied with the included simple piano part. Try it as a benediction, a choral reflection, or as a short farewell to close a sacred concert...

This soulful setting of original text by Tom Trenney invokes a gospel music tradition, "preaching" its text through declamation and bluesy harmonies: "God wouldn't bring you this far to leave you;...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement...