SSAA a cappella arrangement (with optional cello) of movement III of LUX: The Dawn From On High, (originally scored for chorus with chamber ensemble, small orchestra, or full orchestra). This soaring setting of Hafiz-inspired poetry by Daniel...

SSAA a cappella arrangement (with optional cello) of movement III of LUX: The Dawn From On High, (originally scored for chorus with chamber ensemble, small orchestra, or full orchestra). This soaring setting of Hafiz-inspired poetry by Daniel...

Dan's setting, written during the events of 2020, of Paul Wigmore’s exquisite text invoking Light, Joy, Love, Peace, and Hope, for SATB choir, piano, and optional string quartet. COMPANION PRODUCTS Rehearsal Tracks - Digital Download Score and...

Dan's setting, written during the events of 2020, of Paul Wigmore’s exquisite text invoking Light, Joy, Love, Peace, and Hope, for SATB choir, piano, and optional string quartet. COMPANION PRODUCTS Rehearsal Tracks - Digital Download Score and...

Dan Forrest’s fourth major work continues in the vein of his previous major works, exploring profound themes of what it is to be human. the breath of life ponders the beauty - yet brevity - of human life as portrayed in a single...

Six new festive settings for piano and organ, exploring a wide variety of textures, registers, timbres, and styles. Hints of Marianne Kim's jazz background blend seamlessly with her classical training in this outstanding new contribution to piano-organ...

Six new festive settings for piano and organ, exploring a wide variety of textures, registers, timbres, and styles. Hints of Marianne Kim's jazz background blend seamlessly with her classical training in this outstanding new contribution to piano-organ...

Now available for TTBB choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled, God, you are present, within the air, the breath I take;...

Now available for TTBB choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled, God, you are present, within the air, the breath I take;...

Now available for treble choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled, God, you are present, within the air, the breath I take;...

Now available for treble choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled, God, you are present, within the air, the breath I take;...

Now available for TTBB choirs! "I sing to you across the distance; come, sing me to the other side...Lord, when you sing, all life is music; I sing to you, come sing to me forevermore." Pamela Stewart's thought-provoking text explores the nature of our...

Now available for TTBB choirs! "I sing to you across the distance; come, sing me to the other side...Lord, when you sing, all life is music; I sing to you, come sing to me forevermore." Pamela Stewart's thought-provoking text explores the nature of our...

Now available for treble choirs! "I sing to you across the distance; come, sing me to the other side...Lord, when you sing, all life is music; I sing to you, come sing to me forevermore." Pamela Stewart's thought-provoking text explores the nature of our...

Now available for treble choirs! "I sing to you across the distance; come, sing me to the other side...Lord, when you sing, all life is music; I sing to you, come sing to me forevermore." Pamela Stewart's thought-provoking text explores the nature of our...

"What strangers are these that wander through the town? Hush, 'tis Joseph and weary Mary. And what does he seek, so hopeless and in vain? He is seeking shelter for Mary." Dan Forrest's arrangement of this lesser-known Scottish Carol explores the...

"What strangers are these that wander through the town? Hush, 'tis Joseph and weary Mary. And what does he seek, so hopeless and in vain? He is seeking shelter for Mary." Dan Forrest's arrangement of this lesser-known Scottish Carol explores the...

Now available for treble choirs! Phil Wickham's tender setting of this carol is arranged here for choir by Molly Ijames. A gentle instrumental motif unifies the steady growth between stanzas, and optional alternate lyrics for stanzas 2-3 provide...

Now available for treble choirs! Phil Wickham's tender setting of this carol is arranged here for choir by Molly Ijames. A gentle instrumental motif unifies the steady growth between stanzas, and optional alternate lyrics for stanzas 2-3 provide...

Christin Kieckhafer and Marianne Forman have collaborated to create a haunting new melody for the Polish carol text Infant Holy, Infant Lowly. Hints of the original carol tune appear in the accompaniment. Hear this text in a whole new light as the choir,...

Christin Kieckhafer and Marianne Forman have collaborated to create a haunting new melody for the Polish carol text Infant Holy, Infant Lowly. Hints of the original carol tune appear in the accompaniment. Hear this text in a whole new light as the choir,...

Part of the Beckenhorst Congregational Anthem Series, Molly Ijames' setting of The First Noel works equally well as an Easy SATB anthem or as a congregational anthem. Choral parts are easily learned but elegant and satisfying, and piano (or optional...

Part of the Beckenhorst Congregational Anthem Series, Molly Ijames' setting of The First Noel works equally well as an Easy SATB anthem or as a congregational anthem. Choral parts are easily learned but elegant and satisfying, and piano (or optional...

Craig Courtney brilliantly sets the two sections of Pamela Stewart's poem to different tunes, then pulls them together to be sung simultaneously, picturing the text "...No distance left between us, we are no longer two; O what can separate us? I lose...

Craig Courtney brilliantly sets the two sections of Pamela Stewart's poem to different tunes, then pulls them together to be sung simultaneously, picturing the text "...No distance left between us, we are no longer two; O what can separate us? I lose...