Mary McDonald has taken the beloved words of Ruth 1:16-17 and given us a simple but beautiful setting. The addition of a cello obbligato (part included in choral score) enhances its beauty even more. Suitable as an expression of commitment in any church...

Molly Ijames' colonial-style setting of this Palm Sunday hymn makes it stand out among the crowd. The addition of two flutes and drum, easily-learned vocal parts and a rhythmic piano accompaniment all combine to create its compellingly energetic mood...

Molly Ijames' colonial-style setting of this Palm Sunday hymn makes it stand out among the crowd. The addition of two flutes and drum, easily-learned vocal parts and a rhythmic piano accompaniment all combine to create its compellingly energetic mood...

The third movement of Craig Courtney’s trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we bring to Him. The melody,...

This regal, stately second movement of Craig Courtney’s trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and people alike...

The first movement of Craig Courtney’s trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isiah 55 is expressed as a celebration rather than the meditative, lyric manner found in most settings. In...

The third movement of Craig Courtney’s trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we bring to Him. The melody,...

This regal, stately second movement of Craig Courtney’s trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and people alike...

The first movement of Craig Courtney’s trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isiah 55 is expressed as a celebration rather than the meditative, lyric manner found in most settings. In...

Dan Forrest’s setting of Psalm 118, written for a tour of the Holy Land, captures the fresh wonder of a new day – in the land where the psalmist wrote these words, or wherever we are on God’s earth. The gentle joy of this anthem leads...

Dan Forrest’s setting of Psalm 118, written for a tour of the Holy Land, captures the fresh wonder of a new day – in the land where the psalmist wrote these words, or wherever we are on God’s earth. The gentle joy of this anthem leads...

Dramatic alleluias and an assertive rhythmic impetus interwoven with quotes of Beethoven’s Hymn to Joy continually combine with Crown Him with Many Crowns (DIADEMATA), building to an overwhelming scene of worship of the risen Savior, perfect for...

Dramatic alleluias and an assertive rhythmic impetus interwoven with quotes of Beethoven’s Hymn to Joy continually combine with Crown Him with Many Crowns (DIADEMATA), building to an overwhelming scene of worship of the risen Savior, perfect for...

Ron Mallory’s beautiful arrangement of the beloved tune WOODWORTH is a joy to ring and a delight to hear.  With a lilting feel and the occasional unexpected harmony, it brings fresh life to this old standby.  Traveling through different...

A bold melody in octaves (with at optional LV to mimic the sound of a carillon) gives way to a series of variations of the theme which grow in complexity and intensity through to the big, bold finish.  A variety of techniques are found throughout,...

Michael Helman has expertly combined an Israeli folk melody with “All Glory, Laud, and Honor” in this piece that’s an ideal choice for Palm Sunday.  The haunting folk melody is underscored with delicate mallet work, while the...

This tender original tune is a beautiful musical statement by Linda Scholes.  The simple, lyrical melody is given delicate underscoring with lush chords, and the melody moves throughout the ensemble, giving all ringers a chance to shine.  The...

This original tune is triumphant, indeed!  With prominent syncopation and bold chords throughout, it sets a joyous and celebratory mood from the outset.  A slower, more thoughtful section featuring chimes and light malleted bass bells offers a...

This arrangement, dedicated to a handbell choir director for more than thirty years of leadership, is an idyllic choice for use in worship.  Combining the Bach chorale “Sheep May Safely Graze” with the hymntune BRADBURY, it masterfully...

This arrangement, dedicated to a handbell choir director for more than thirty years of leadership, is an idyllic choice for use in worship.  Combining the Bach chorale “Sheep May Safely Graze” with the hymntune BRADBURY, it masterfully...

Deep haunting harmonies open Brian Childers’ setting of this well-known Easter hymn.  The tune first receives a treatment in minor with flowing chords before an intense driving section sets up the triumphant transition to major.  The...

A light, playful opening sets the tone for this upbeat, dance-like original by John Behnke.  A number of different techniques occur throughout the piece, yielding aural interest, and the frequent sixteenth notes and meter changes will keep ringers...

Joyful, indeed, is Kerry Johnston’s setting of the well-known Beethoven melody!  Full chords and interesting treatments of the tune abound, giving each verse a new and fresh sound.  The final verse in 6/8 time rounds out the piece in an...

A delicate and gentle introduction gives way to an energetic and upbeat setting of the well-known song, accompanied with malleted and thumb damped bells.  A chordal verse replete with rich harmonies gives a brief respite from the driving...

Patricia Hurlbutt’s lush arrangement of this Latvian folk tune is a beautiful choice for the ensemble looking for something a little different.  The simple melody is paired with flowing accompaniments and rich harmonies, yielding a perfect...