Choral

What a Savior, What a Friend (Movement 3 of TRINITY: Our God of Hope and Help) sets familiar hymn texts to new music that moves from plaintive cry to deep assurance and humble gratitude. Effective in general worship or during Lent and Holy Week. Each of...

A fresh setting of the beloved hymn with unique treatments of the refrain, Tom Trenney's rich textures and harmonies bring the text alive in a new way for your choir and congregation. Optional obbligato part included in the choral octavo; optional organ...

The fourth movement of Dan Forrest’s new LUX: The Dawn From On High is now available as a stand-alone octavo. Its infectious rhythmic energy, soaring vocal lines, and sparkling accompaniment will bring joy to your choir and audience alike, at...

May be sung with keyboard accompaniment (with optional strings), or a cappella. A cappella recording: This simple yet refined setting reflects the dignity and beauty of the English cathedral style. Whether sung a cappella or with the optional...

A gentle instrumental introduction sets the stage for this setting of the classic Christmas carol, continuing under the familiar text with a quiet intensity as it builds to the strong statement of purpose, “Christ the Savior is born”, then...

Written in 1923, Great Is Thy Faithfulness, by William Runyon and Thomas Chisholm, has become one of the most-sung and loved hymns in churches around the world.   In this new arrangement, Craig Courtney approaches the hymn in the style of...

Scripture quotes from Romans 11 provide framing for the venerable hymn text and Holst's THAXTED ("Jupiter") tune in this stirring anthem of praise. Congregation can be added on the hymn tune, and an optional organ part (available separately) can be used...

"Sing to the Lord, with a song give Him glory, Heaven will hear and join in our praise; the Father Himself singing over His children, taking delight in the anthems we raise." There is a little bit of heaven on earth when you hear this ethereal yet joyful...

The tender, yet powerful, SATB setting of the classic hymn O LOVE THAT WILL NOT LET ME GO is now arranged for SSA and TTBB with an optional cello line. It is a moving prayer of commitment and assurance, appropriate for any service of worship. Melody and...

A beautiful arrangement of the traditional Austrian Carol, “As Lately We Watched”. This gently flowing carol broadens on verse three, offering an opportunity to pull out all of the stops before  a poignant a cappella ending.  An...

This thoughtful, poetic consideration of life through the seasons is wonderfully suited for times of contemplation and prayer. Scored for SATB chorus and piano, it is beautifully enhanced with the addition of the optional string quartet. Companion...

Kyle Pederson's striking adaptation of Scripture passages foretells a future free from tears, hatred, and injustice, and provides a vision of a renewed and redeemed earth: "A New Jerusalem arise, a new creation come alive, into the dawning after dark,...

A stately, neo-Baroque anthem that incorporates many of the different statements in Isaiah 53, sometimes simultaneously. All choirs will find this easy to learn due to the ease and limited ranges of the vocal parts. The stylistic authenticity is enhanced...

A tender celebration of the gift and the Giver of music. This contemplative setting offers comfort and encouragement. Voiced for SATB Choir, piano and cello (part included in the octavo), it acknowledges the power of music with gratitude to the One who...

Molly Ijames' arrangement of this newly written Christmas hymn frames the nativity story in a haunting narrative about the darkness of waiting and the coming of Christ's light. Each stanza explores different aspects and metaphors of the darkness/light...

As recorded by VOCES8 on their 2019 album, Enchanted Isle, this soaring setting of Hafiz-inspired poetry by Daniel Ladinsky speaks of the matchless beauty of unconditional love. For a cappella choir with optional solo cello.(This is an a cappella...

German Lieder from the early Romantic period come to mind in this classical setting of a favorite hymn.  As you will hear in the recording, the violin is not so much an adornment as a musical force whose function equals the choir.  In addition,...

A stately, neo-Baroque anthem that incorporates many of the different statements in Isaiah 53, sometimes simultaneously. All choirs will find this easy to learn due to the ease and limited ranges of the vocal parts. The stylistic authenticity is enhanced...

The promises of the Twenty-Third Psalm text come to life in this deep but tender setting as it moves through the strong statement of faith for this life through the development of the beautiful musical picture of life eternal. Companion products (digital...

This rich, fresh rendition of the familiar hymn ends with a poignant, seldom-heard verse. Arranged by Bruce Stevenson and edited by Craig Courtney, this lovely piece is scored for  choir and piano. An optional cello part (BP1890A) is available...

A dynamic arrangement of the classic carol set for SATB (also SSAA and TTBB) chorus with an exciting four-hand piano and optional violin and percussion accompaniment. This setting begins with delicate angel voices as though from the edge of heaven,...

A tender prayer to the God of all comfort that He who sees and cares for each sparrow will lovingly care for us, His own children. Lyrics by Jonathan Cook.  The flute or violin part is included in the octavo.

A new festival setting of the traditional hymn, sure to add energy and joy to your Palm Sunday celebration. For SATB choir and organ with optional brass quartet and percussion, as well as optional children's choir and congregation. COMPANION...

A gentle instrumental introduction sets the stage for this setting of the classic Christmas carol, continuing under the familiar text with a quiet intensity as it builds to the strong statement of purpose, “Christ the Savior is born”, then...

This arrangement of HUMILITY (1871) with the time-honored text by Edward Caswall (1858) swells with emotion in the stunning unfolding of the text. It is scored for SATB choir and piano, now also available scored for TTBB and SSAA with optional string...