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Written for 3 to 7 octave handbell choir. Level 4.This masterwork, written for the Back Bay Ringers, is an exciting setting of the beloved Christmas carol, suitable for advanced ensembles. An opening tower-bell-like change ring gives way to a varied...

Presenting "Laudamus Te," a captivating SSA song featuring beautifully crafted vocal lines and a mesmerizing piano accompaniment. This piece is perfect for showcasing your choir's expressive abilities, making it an ideal choice for concerts and special...

Written for 3 to 6 octave handbell choir. Level 3.This light, playful setting of the beloved hymn features pulsing rhythms and unexpected harmonies, bringing a fresh take on a traditional hymn. The melody moves throughout the ensemble, giving all parts...

Written for 3 to 7 octave handbell choir. Level 3.Flowing eighth note arpeggios in 12/8 time underscore this rich setting of the tune ES IST EIN ROS. Delicate countermelodies weave in and out, and several sections on handchimes add a rich, sonorous tone...

Written for 3 to 5 octave handbell choir. Level 3.This gorgeous original tune is full of flowing and original harmonies, all underscoring a lush melody. Perfect for intermediate ensembles focused on their musicality, this setting can find use in either...

Written for 3 to 5 octave handbell choir. Level 3-.This setting of the hymntune AMSTERDAM has a marchlike feel, making this arrangement perfect for any upbeat or celebratory time in the life of the church. Numerous malleted sections appear, and a key...

Written for 3 to 5 octave handbell choir. Level 2.Mitchell Eithun brings us this setting of a tune from Franz Liszt's "Christmas Tree Suite" that is perfect for church or concert use during the Advent or Christmas seasons. Light and playful, it's a...

Written for 2 to 3 octave handbell choir. Level 2.This lush arrangement of the beloved hymn by Daniel Iverson is presented in compatible 2-3 and 3-5 octave versions. Flowing accompaniment lines underscore the simple, heartfelt melody, making this a...

Written for 3 to 5 octave handbell choir. Level 2.This lush arrangement of the beloved hymn by Daniel Iverson is presented in compatible 2-3 and 3-5 octave versions. Flowing accompaniment lines underscore the simple, heartfelt melody, making this a...

Immerse your choir in the tranquil beauty of the holiday season with this new choral arrangement of "Still, Still, Still” by Leeann Starkey. Crafted specifically for unison choirs (with optional harmony), this rendition offers a seamless blend of...

Written for 3 to 5 octave handbell choir. Level 3.Lloyd Larson's bold setting of this beloved favorite is sure to be a hit with your ringers and listeners alike. Fanfare like figures open each verse, adding to the celebratory nature of the piece. ...

Experience the serene beauty of Robert Frost's timeless poem "Stopping by Woods on a Snowy Evening" with "Whose Woods Are These," a captivating a cappella SATB choral piece by Kyle Engelmann. This beautiful arrangement weaves rich harmonies and delicate...

Written for both SSA (ICC1038) and SAB (ICC2010) voicings, this new song by Nancy Ruth Durance would be a wonderful concert opening! The snare drum, tambourine, and drones in the piano, give it a Renaissance feel. The choral parts are attainable and...

Amazing Grace receives a soulful treatment in this bold new setting from Tim Osiek. Your choir will love the stylistic variety combined with carefully crafted lines, and your pianist will enjoy the idiomatic piano writing. A great way to get out of the...

Kim Noller’s “Servant of Peace” encourages us all to make the world a better place through compassion, friendship, and understanding. With accessible harmonies and a flowing accompaniment, this new song would be a wonderful addition to the repertoire of...

Beckenhorst welcomes Canadian composer Laura Hawley to our catalog with this joyful work for youth/treble choirs. Texts about the enduring joy of music by Sigfried Sassoon and James Whitcomb Riley are set to two delightful melodies which then sound...

Emily Dickinson’s poetry shines in this musical setting of “Hope is the Thing with Feathers.” Denise Gilliland brings the words to life with a memorable melody and accessible harmonies for the singers. The optional flute has a bird-song sound to it that...

“I Will Rejoice in the God of My Salvation” by Brent Larimore is brimming with joyful melodies and rhythmic energy! Ideal for worship services, celebrations, and special occasions, this celebratory composition celebrates the joy and gratitude...

Written for 5 to 8 octave handbell choir. Level 5.Sandra Eithun's setting of TEMPUS ADEST FLORIDUM is a festive masterwork that brings a high level of excitement and joy to any performance. While the handbell part is challenging and more than sufficient...

Sandra Eithun's setting of TEMPUS ADEST FLORIDUM is a festive masterwork that brings a high level of excitement and joy to any performance. While the handbell part is challenging and more than sufficient in its own right, the addition of the optional...

Part of the Folksongs and Traditional Tunes collection (ICC3006DL), Paul Ayres' arrangement of Auld Lang Syne brings a thoughtful and engaging interpretation to this cherished classic. This a cappella setting is easy to learn but provides enough musical...

A beautiful setting for unison choir and piano! This arrangement of the traditional carol features soloists along with the choir. The piano accompaniment captures the beauty of this timeless song.

Part of the Folksongs and Traditional Tunes collection (ICC3006DL), Paul Ayres' arrangement of Our Captain Calls All Hands brings energy and excitement to this spirited folk song. This a cappella arrangement is straightforward to learn while offering...

The Time For Singing would be an excellent choice if you need a powerful song to close your concert! With a message of standing together in love, your audience will be moved by not only the text, but also the beautifully written harmonies of this...

An uplifting text to keep hope alive in hard times is set to a beautiful, lyrical melody in this original song by Darla Eshelman. This song will provide opportunities for deeper conversations and community building in your ensemble!