Spring 2022

Dramatic alleluias and an assertive rhythmic impetus interwoven with quotes of Beethoven’s Hymn to Joy continually combine with Crown Him with Many Crowns (DIADEMATA), building to an overwhelming scene of worship of the risen Savior, perfect for...

Dramatic alleluias and an assertive rhythmic impetus interwoven with quotes of Beethoven’s Hymn to Joy continually combine with Crown Him with Many Crowns (DIADEMATA), building to an overwhelming scene of worship of the risen Savior, perfect for...

This soaring original setting of Frances Havergal text combined with Scripture provides a much-needed message of hope. A shimmering accompaniment and easily learned vocal lines open this up to choirs of all sizes for concert or service use.  "Light...

This soaring original setting of Frances Havergal text combined with Scripture provides a much-needed message of hope. A shimmering accompaniment and easily learned vocal lines open this up to choirs of all sizes for concert or service use.  "Light...

Dan Forrest’s setting of Psalm 118, written for a tour of the Holy Land, captures the fresh wonder of a new day – in the land where the psalmist wrote these words, or wherever we are on God’s earth. The gentle joy of this anthem leads...

Dan Forrest’s setting of Psalm 118, written for a tour of the Holy Land, captures the fresh wonder of a new day – in the land where the psalmist wrote these words, or wherever we are on God’s earth. The gentle joy of this anthem leads...

Mary McDonald has taken the beloved words of Ruth 1:16-17 and given us a simple but beautiful setting. The addition of a cello obbligato (part included in choral score) enhances its beauty even more. Suitable as an expression of commitment in any church...

Molly Ijames' colonial-style setting of this Palm Sunday hymn makes it stand out among the crowd. The addition of two flutes and drum, easily-learned vocal parts and a rhythmic piano accompaniment all combine to create its compellingly energetic mood...

The first movement of Craig Courtney’s trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isiah 55 is expressed as a celebration rather than the meditative, lyric manner found in most settings. In...

Lloyd Larson has added his own lyrics and melody to the sacred poetry of Horatius Bonar and Gustav Holst’s THAXTED tune, resulting in an anthem of regal beauty. A congregational part allows those gathered in worship to add their voices in praise...

Molly Ijames' colonial-style setting of this Palm Sunday hymn makes it stand out among the crowd. The addition of two flutes and drum, easily-learned vocal parts and a rhythmic piano accompaniment all combine to create its compellingly energetic mood...

Mary McDonald has taken the beloved words of Ruth 1:16-17 and given us a simple but beautiful setting. The addition of a cello obbligato (part included in choral score) enhances its beauty even more. Suitable as an expression of commitment in any church...

This regal, stately second movement of Craig Courtney’s trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and people alike...

The first movement of Craig Courtney’s trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isiah 55 is expressed as a celebration rather than the meditative, lyric manner found in most settings. In...

The third movement of Craig Courtney’s trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we bring to Him. The melody,...

Lloyd Larson has added his own lyrics and melody to the sacred poetry of Horatius Bonar and Gustav Holst’s THAXTED tune, resulting in an anthem of regal beauty. A congregational part allows those gathered in worship to add their voices in praise...

This regal, stately second movement of Craig Courtney’s trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and people alike...

The third movement of Craig Courtney’s trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we bring to Him. The melody,...