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Full score and parts for flute, oboe, B-flat clarinet, bassoon, horn in F I & II,  B-flat trumpet, trombone I & II, tuba, timpani, crash cymbals, suspended cymbal, harp, violin I & II, viola, cello and bass. Our Father -...

Full score and parts for flute, oboe, B-flat clarinet, bassoon, horn in F I & II,  B-flat trumpet, trombone I & II, tuba, timpani, crash cymbals, suspended cymbal, harp, violin I & II, viola, cello and bass. Our Father - TTBB

Written for 4 to 7 octave handbell choir. Level 5. A delicate, ethereal opening gives way to a forceful, driving melody that travels through various moods and keys as it builds in intensity. The addition of the optional orchestral chimes gives an extra...

By Gioacchino Rossini.  Arranged for 5 to 7 octave handbell choir, optional G1 and B1 and 5 to 7 octaves of handchimes.  Level 6.  Keith Burt’s masterful transcription of the well-known Rossini overture – the newest...

Written for the final Virtuoso event sponsored by the Raleigh Ringers, Cathy Moklebust has transcribed Mikhail Glinka’s masterwork for handbells. Rated Level 6, this piece is a worthy challenge for the most advanced handbell ensembles.

Written for the final Virtuoso event sponsored by the Raleigh Ringers, Cathy Moklebust has transcribed Mikhail Glinka’s masterwork for handbells. Rated Level 6, this piece is a worthy challenge for the most advanced handbell ensembles.

Written for 3 to 6 octave handbell choir. Level 2+.Celebrate Jesus' entry into Jerusalem with this medley of several well-known Palm Sunday tunes. Available in compatible 2-3 and 3-6 octave versions, it's an ideal choice for both church and festival...

Full performance/accompaniment compact disc Companion products: Pass It Along

Parts for flute, conga and percussion are available. Companion products: Pass It Along

Transcribed for 5-6 octave handbell choir.  Level 6.  George Friedrich Handel.  Your ringers will set a distinctive mood with this transcription of a piece from the Seventh Suite by Handel. What starts with a simple and delicate theme...

Written for 4 or 5 octave handbell choir and unison voices.  Level 4.  Appropriate for commencement exercises and baccalaureates Companion products (printed copies): Passage of Promise - choir part

 Choir part for unison voices. Companion products (printed copies): Passage of Promise

In this arrangement subtitled “A Baroque Christmas,” Sandra Eithun combines Bach’s “Sheep May Safely Graze” with the German chorale “Break Forth, O Beauteous Heavenly Light”. This beautiful medley is characterized by thick chordal textures and interplay...

In this arrangement subtitled “A Baroque Christmas,” Sandra Eithun combines Bach’s “Sheep May Safely Graze” with the German chorale “Break Forth, O Beauteous Heavenly Light”. This beautiful medley is characterized by thick chordal textures and interplay...

 Arranged for 3-6 octave handbell choir with optional 2 octaves of handchimes and conga drums (included in the score).

Organ part; may be used in conjunction with piano accompaniment (in choral score) to add sustain, strength, and color, even without orchestra. (Identical to the organ part bundled with orchestral score and parts).Choral Score: Pater Noster - digital...

Organ part; may be used in conjunction with piano accompaniment (in choral score) to add sustain, strength, and color, even without orchestra. (Identical to the organ part bundled with orchestral score and parts).Choral Score: Pater Noster - digital...

 Arranged for 3-5 octave handbell choir.  Level 4.  Original music by Gabriel Faure.

5-6 octave  level 5  Lee G. Barrow has adapted the scherzo of Tchaikovsky's fourth symphony for five or six octaves of handbells in Pizzicato Ostinato.  Not for the faint of heart, this level 5 piece will challenge ringers' mallet skills,...

5-7 octaves, 4 octaves of handchimes, level 5+,

Transcribed for 4-5 octave handbell choir.  Level 6.  Sir Edward Elgar.

3-6 octaves, level 3  Suitable for Lent, memorial services.

 Written for 3-5 octave handbell choir and optional 3 octaves of handchimes.  Level 3.

The use of triple meter and a building ostinato pattern underlies the Christmas text and Mixolydian modal melodies. Written for SATB a cappella choir by Thomas More Scott.

Full performance/accompaniment compact disc Companion products: Praise the Everlasting King!