New

Kenyan composer Daniel Muroki uses creative harmonies, rich piano textures, lovely countermelody and dramatic modulations to offer an effective new setting to this hymn for SATB voices and piano.

This short but soaring Amen can be sung a cappella or accompanied with the included simple piano part. Try it as a benediction, a choral reflection, or as a short farewell to close a sacred concert. Composers Note "I’ve always loved choral pieces...

A lovely new setting of the ancient text: "Come, Holy Ghost, Creator blest, and in our hearts take up Your rest....come, Spirit, come and make us whole." Suitable for Pentecost or general worship.

This jazzy arrangement of Go, Tell It on the Mountain is a fun, upbeat song that your singers will love! The unison melody is powered by an expertly written piano accompaniment and also features hand claps. You won’t want to miss out on this one!

Now available for TTBB voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and...

This arrangement of The First Noel takes a fresh look on a Christmas classic! Written for SSA, piano, and optional flute, a new melody is combined with the traditional melody to create a memorable and beautiful piece to your holiday concert.

An inspiring text is set over a flowing piano accompaniment in Nancy Durance’s Perhaps. Singers and audiences alike will love the message of how we can make the world a better place when we open up our hearts to make a change happen. Encourage your...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement "Hallelu Yah", just as the three Psalms do. Optional...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement "Hallelu Yah", just as the three Psalms do. Optional...

Heidi Browning’s arrangement of As With Gladness Men of Old would be an excellent selection for Christmas or Epiphany. With a unison vocal line and a charming piano accompaniment, it is suitable for even the youngest singers. This festive tune...

Written for 3 to 5 octave handbell choir. Level 2+.This arrangement by Lloyd Larson of the hymntunes LLANFAIR and LANCASHIRE creates the perfect atmosphere for your Eastertide service. While accessible as a level 2+, the setting is sure to be engaging...

This Appalachian carol is exquisitely written to showcase the natural beauty of this timeless tune. The setting is for a cappella SATB voices and will certainly draw the audience in with its hushed, contemplative feel.

The song begins with the Latin text being sung as a brief chant before a driving piano accompaniment takes over and propels the song forward. An excellent concert opener, this SA piece is a fantastic choice for beginning and intermediate choirs learning...

Written for 3 to 5 octave handbell choir. Level 2.This Easter arrangement by Anna Laura Page features the hymntunes PUER NOBIS and PUER NOBIS NASCITUR. Utilizing a variety of techniques, the joy of the risen Lord will shine through!

Written for 3 to 5 octave handbell choir. Level 2.Lloyd Larson’s arrangement of the tunes PASSIONAL CHORALE and HERZLIEBSTER JESU features optional cello. Stunning modulations help set the tone for a somber lenten service.COMPANION PRODUCTSWounded and...

Written for 3 to 5 octave handbell choir. Level 3.Making the most of a variety of techniques, this rondo by Michael Helman will work beautifully in a worship service or concert. The contrasting sections provide lots of interest for performers and...

Now available for TTBB voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative, lyric manner...

Now available for TTBB voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we...

Written for 3 to 5 octave handbell choir. Level 3.Michael Helman takes us on a transformative journey in this flowing original piece. The emotional depths and lush writing provide performers with an opportunity to work on their musicality.

Written for 3 to 5 octave handbell choir. Level 3-.The hymntunes GIVE ME JESUS and SOJOURNER are featured in this arrangement by Hart Morris. The optional handchimes provide a poignant climax to this lovely medley.

Written for 3 to 5 octave handbell choir. Level 2+.This arrangement of EBENEZER by Anna Laura Page provides a contemplative moment in any lenten service. Flowing eighth notes and haunting harmonies provide a stunning backdrop to this musical setting.

Now available for SSAA voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative, lyric manner...

This marvelous new arrangement of the classic hymn for SSAA voices begins with quiet assurance, a beautiful combination of strength and gentleness which continues to build until the congregation joins with the choir and instruments to a dramatic final...

(Live video of Pater Noster begins at 40:00 in the second video above)Commissioned by the Cucinelli Foundation in Solomeo, Italy, this expansive 16-minute setting of The Lord's Prayer in Latin explores various textual aspects of "Our Father" as darker...

Now available for TTBB voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative, lyric manner...