New

Now available for TTBB voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and...

Now available for SSAA voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we...

Now available for TTBB voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we...

A major work for SSAA choirs! All five movements of LUX: The Dawn From On High are now available for treble choirs, and can be performed with piano (included in choral score). Optional organ, percussion, solo strings, chamber ensemble, small orchestra,...

Written for 3 to 5 octave handbell choir. Level 3.Michael Compton’s arrangement of The Old Rugged Cross features a variety of techniques and optional handchimes. Listeners will feel the solemnity of the tune as performers work on their delicate...

Written for 3 to 6 octave handbell choir. Level 2.Karen Lakey Buckwalter combines the tunes DIADEMATA and DUKE STREET in this soaring arrangement of two beloved hymns. The optional trumpet and organ parts provide richness and depth.COMPANION...

Written for 3 to 5 octave handbell choir. Level 3-.Based on Psalm 30:11, Linda Scholes’ Dance Felice will “turn your mourning into dancing.” The lilting 6/8 meter and staccato sections provide motion and excitement.

Now available for SSAA voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative, lyric manner...

Now available for SSAA voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and...

Now available for SSAA voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and...

Now available for SSAA voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we...

In this original composition about inclusion, Denise Gilliland has brought together stories and music to create a meaningful lesson for all singers. The piano reflects the stories with dissonance and then a lyrical chorus as the singers learn the true...

Written for 3 to 6 octave handbell choir. Level 4.Opening with an ethereal staccato section, this fantasy on the hymntune PROSPECT sets an evocative scene. The tune is explored through a variety of styles, and the optional handchimes, wind chimes, and...

This marvelous new arrangement of the classic hymn for SSAA voices begins with quiet assurance, a beautiful combination of strength and gentleness which continues to build until the congregation joins with the choir and instruments to a dramatic final...

This marvelous new arrangement of the classic hymn for TTBB voices begins with quiet assurance, a beautiful combination of strength and gentleness which continues to build until the congregation joins with the choir and instruments to a dramatic final...

Beckenhorst welcomes South African composer Franco Prinsloo to its catalog with this ravishing setting of Afrikaans text for treble voices and piano: "...Alleluia, praise his name; for every bright new moon shines over the whole earth with endless...

Beckenhorst welcomes South African composer Franco Prinsloo to its catalog with this ravishing setting of Afrikaans text for treble voices and piano: "...Alleluia, praise his name; for every bright new moon shines over the whole earth with endless...

Written for 3 to 6 octave handbell choir. Level 3.Sandra Eithun’s arrangement of the beloved Daniel Schutte tune highlights the reassuring message of this popular hymn. Utilizing optional handchimes, the contrasting sections evoke the text of each verse...

This song highlights the natural beauty of Indiana with the text from Indiana’s official state poem by Arthur Franklin Mapes. Set for SSA voices, piano, and optional flute, this song features stunning harmonies and a beautiful melody that will be a...

Johnny Has Come for a Soldier is based on an Irish song that was brought to the United States and became popular throughout the American Revolutionary War. The instrumentation of piano, side drum, and flute create a lyrical, yet haunting ambience as the...

Written with young singers in mind, Lavender’s Blue is a classic folk song that your singers will enjoy! The simplicity of the tune shines against the flowing piano accompaniment. This is a terrific song for choirs beginning to sing harmony!

Printed product for SATB choir with piano. Optional guitar part and score also available: let me listen - guitarAlso available for SSAA choir: let me listen (SSAA). From the composer: "Written as a statement of support for, and allyship with,...

PDF Download of SSAA choir with piano. Optional guitar part and score available separately: let me listen (SSAA) - guitarAlso available for SATB choir: let me listen - SATB.From the composer: "Written as a statement of support for, and allyship with, our...

A beautiful setting for unison choir and piano! This arrangement of the traditional carol features soloists along with the choir. The piano accompaniment captures the beauty of this timeless song.

Written for 5 to 8 octave handbell choir. Level 4.