894 results for Craig Courtney

Now available for TTBB voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Now available for treble choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled,...

Now available for TTBB voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as...

Now available for TTBB voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Digital Download: Brass quartet parts (2 Trumpet, 2 Trombone) and score for "Jesus Lover of My Soul SSAA" accompanimentChoral Score: Jesus, Lover of My Soul - Courtney - SSAA - digital download

An opening tenor/bass chant of an obscure verse of “O COME, O COME, EMMANUEL” sets the stage for this contemplative consideration of Isaiah 58. While perfect for Advent, the encouraging,...

An opening tenor/bass chant of an obscure verse of “O COME, O COME, EMMANUEL” sets the stage for this contemplative consideration of Isaiah 58. While perfect for Advent, the encouraging,...

Instrumental parts for: I. Be Not Afraid (Instrument in C) II. Here I Am, Lord (Flute or Violin) The other pieces in the collection do not have instrumental settings.   Companion...

Full score and parts for flute I, II; oboe; clarinet I and II; bassoon; horn in F I and II; trumpet I and II; trombone I and II; tuba; timpani; cymbals; violin I and II; viola, cello and contrabass. ...

Craig Courtney brilliantly sets the two sections of Pamela Stewart's poem to different tunes, then pulls them together to be sung simultaneously, picturing the text "...No distance left between us,...

An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text, The Embrace, which explores God's never-ending presence in all things: "Called or uncalled, God, you are...

Now available for TTBB choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled,...

SATB - Christmas.  Full Orchestration (BP1345A) and a reduced orchestration (BP1345B) can be found in Carols of the Night (BP1345), which contains both O Holy Night (BP1332) and Silent...

Now available for SSAA voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Now available for SSAA voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Now available for TTBB choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled,...

Now available for SSAA voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied...

Now available for TTBB voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied...

A best selling anthem full of power and majesty. A separate flute part (BP1403A) is available for Courtney’s arrangement of Dan Schutte's contemporary song of commitment.  ...

A best selling anthem full of power and majesty. A separate flute part (BP1403A) is available for Courtney’s arrangement of Dan Schutte's contemporary song of commitment.  ...

An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text, The Embrace, which explores God's never-ending presence in all things: "Called or uncalled, God, you are...

SATB - Christmas.   Full Orchestration (BP1345A) and a reduced orchestration (BP1345B) can be found in Carols of the Night (BP1345), which contains both O Holy Night (BP1332) and Silent...

Two beautiful new arrangements of this Courtney classic for SATB choir (BP1804) based on John 3:16, 17, scored for SAB Choir and piano (BP1912) and for two-part choir and piano (BP1916), perfect for...

Pamela Martin’s words reflect the paradox of Christ’s kingly position and His earthly suffering.  These themes are further developed as we proclaim that our sin caused His suffering...