894 results for Craig Courtney

Now available for SSAA voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as...

Now available for SSAA voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied...

Now available for TTBB voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Now available for treble choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled,...

An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text, The Embrace, which explores God's never-ending presence in all things: "Called or uncalled, God, you are...

Now available for TTBB choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled,...

Now available for SSAA voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as...

Now available for TTBB voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as...

Now available for TTBB voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied...

Now available for treble choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled,...

Now available for SSAA voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Now available for SSAA voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Now available for TTBB choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled,...

Now available for SSAA voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied...

Now available for TTBB voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied...

A best selling anthem full of power and majesty. A separate flute part (BP1403A) is available for Courtney’s arrangement of Dan Schutte's contemporary song of commitment.   Companion products...

An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text, The Embrace, which explores God's never-ending presence in all things: "Called or uncalled, God, you are...

SATB - Christmas.  Full Orchestration (BP1345A) and a reduced orchestration (BP1345B) can be found in Carols of the Night (BP1345), which contains both O Holy Night (BP1332) and Silent Night (BP1366)...

SATB - Christmas.   Full Orchestration (BP1345A) and a reduced orchestration (BP1345B) can be found in Carols of the Night (BP1345), which contains both O Holy Night (BP1332) and Silent Night...

A best selling anthem full of power and majesty. A separate flute part (BP1403A) is available for Courtney’s arrangement of Dan Schutte's contemporary song of commitment.   Companion products...

"You brush the vault of heaven and paint the stars of night, each with a separate splendor, the canvas filled with light." In Sanctus (A Separate Splendor), Craig Courtney sets Pamela Stewart's...

Full score and parts for flute I, II; oboe; clarinet I and II; bassoon; horn in F I and II; trumpet I and II; trombone I and II; tuba; timpani; cymbals; violin I and II; viola, cello and contrabass. ...

Craig Courtney brilliantly sets the two sections of Pamela Stewart's poem to different tunes, then pulls them together to be sung simultaneously, picturing the text "...No distance left between us,...

Two beautiful new arrangements of this Courtney classic for SATB choir (BP1804) based on John 3:16, 17, scored for SAB Choir and piano (BP1912) and for two-part choir and piano (BP1916), perfect for...