894 results for Craig Courtney

Now available for treble choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled,...

Instrumental parts for: I. Be Not Afraid (Instrument in C) II. Here I Am, Lord (Flute or Violin) The other pieces in the collection do not have instrumental settings.   Companion...

Now available for TTBB voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as...

Now available for TTBB voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Now available for SSAA voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as...

Now available for TTBB voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as...

Now available for TTBB voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied...

Now available for treble choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled,...

An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text, The Embrace, which explores God's never-ending presence in all things: "Called or uncalled, God, you are...

Now available for TTBB choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled,...

Now available for SSAA voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied...

Now available for TTBB voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied...

SATB - Christmas.  Full Orchestration (BP1345A) and a reduced orchestration (BP1345B) can be found in Carols of the Night (BP1345), which contains both O Holy Night (BP1332) and Silent...

Now available for SSAA voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Now available for SSAA voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to...

Now available for TTBB choirs! An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text exploring God's never-ending presence in all things: "Called or uncalled,...

Full score and parts for flute I, II; oboe; clarinet I and II; bassoon; horn in F I and II; trumpet I and II; trombone I and II; tuba; timpani; cymbals; violin I and II; viola, cello and contrabass. ...

A best selling anthem full of power and majesty. A separate flute part (BP1403A) is available for Courtney’s arrangement of Dan Schutte's contemporary song of commitment.  ...

SATB - Christmas.   Full Orchestration (BP1345A) and a reduced orchestration (BP1345B) can be found in Carols of the Night (BP1345), which contains both O Holy Night (BP1332) and Silent...

A best selling anthem full of power and majesty. A separate flute part (BP1403A) is available for Courtney’s arrangement of Dan Schutte's contemporary song of commitment.  ...

An optional Latin chant opens and closes Craig Courtney's setting of Pamela Stewart's text, The Embrace, which explores God's never-ending presence in all things: "Called or uncalled, God, you are...

Craig Courtney brilliantly sets the two sections of Pamela Stewart's poem to different tunes, then pulls them together to be sung simultaneously, picturing the text "...No distance left between us,...

"You brush the vault of heaven and paint the stars of night, each with a separate splendor, the canvas filled with light." In Sanctus (A Separate Splendor), Craig Courtney sets Pamela Stewart's...

The words of this anthem are found in the 29th chapter of I Chronicles, King David's prayer in response to the generosity of the Israelite's gifts of precious stones and metals for the building of...